CAJ | 학술논문

金元全真诗词中有不少山水之作，其中蕴含着全真宗师对山水独特的审美视角。和儒家的“山水比德”观点相异，全真诗词家对山水持有“山水喻道”的审美观念。在此观念的指引下，全真诗词作者深切地体悟到了山水的“大美”、“大乐”与“大情”。而深蕴“道性”的山水，对于虔心循道的全真词家来说，亦有着涤心洗尘、摒弃尘嚣的作用。基于对山水道法层面的审美与认知，全真宗师对自我的悟道生涯作出了复归自然的理性抉择，充分展现了他们山水审美观念的超越与通脱。
금원전진시사중유불소산수지작，기중온함착전진종사대산수독특적심미시각。화유가적“산수비덕”관점상이，전진시사가대산수지유“산수유도”적심미관념。재차관념적지인하，전진시사작자심절지체오도료산수적“대미”、“대악”여“대정”。이심온“도성”적산수，대우건심순도적전진사가래설，역유착조심세진、병기진효적작용。기우대산수도법층면적심미여인지，전진종사대자아적오도생애작출료복귀자연적이성결택，충분전현료타문산수심미관념적초월여통탈。
There were many landscape poetry about Landscape in Quanzhen Daoist poetry of Jin and Yuan Dynasties which showed that Quanzhen Daoist masters had a unique aesthetic perspective of landscape aesthetic. Their thoughts were different from Confucian thought. They believed that land- scape could be used to explain natural rules. Under the guide of this thought, Quanzhen masters real- ized the beauty, happiness and emotion of the landscapes. The landscapes could also help the devout Quanzhen Daoist masters remove distracting thoughts and stay away from this mortal life. Based on the aesthetic and realization of landscape, Quanzhen masters chose to be close to the nature, which showed they were beyond the landscape aesthetic idea.