CAJ | 학술논문

藏族文化博大精深，藏族民间舞蹈同样具有独特的魅力，也一直是国内外众多学者争相研究的热门学术课题。但尽管如此，目前所呈现的藏族舞蹈教学应用性学术成果仍然较少，尤其是堆谐舞蹈在教学中的应用研究更是凤毛麟角，面对此种现状，本文从堆谐舞的源与流，传统堆谐的不同风格特征与教学价值，堆谐动作要求与教学范式等方面进行了阐述，旨在对堆谐舞蹈的教学领域有所帮助和提升。
장족문화박대정심，장족민간무도동양구유독특적매력，야일직시국내외음다학자쟁상연구적열문학술과제。단진관여차，목전소정현적장족무도교학응용성학술성과잉연교소，우기시퇴해무도재교학중적응용연구경시봉모린각，면대차충현상，본문종퇴해무적원여류，전통퇴해적불동풍격특정여교학개치，퇴해동작요구여교학범식등방면진행료천술，지재대퇴해무도적교학영역유소방조화제승。
Tibetan culture is rich and sophisticated, and Tibetan folk dance attracts scholars from home and abroad with its unique glamour. However, there are few practical studies on the application of Tibetan dance in teaching, especially Dodshad （Tibetan tap dance）. This paper introduces the origins and development of Dodshad, and analyses the artistic values and significance of Dodshad teaching. Aiming at promoting the teaching of Dodshad, the paper focuses on the teaching of Dodshad＇ s movements, gestures, steps, typical traditional routines, and performance routines.