CAJ | 학술논문

本文以身韵古典舞、昆舞、梨园舞蹈三者为研究对象，归纳戏曲维度下中国古典舞的建构与发展，体现了中国古典舞从京剧、昆曲、梨园戏中吸收营养滋养自身的思路。这是中国古典舞在当下延续“传统”、建构“传统”的重要途径之一。
본문이신운고전무、곤무、리완무도삼자위연구대상，귀납희곡유도하중국고전무적건구여발전，체현료중국고전무종경극、곤곡、리완희중흡수영양자양자신적사로。저시중국고전무재당하연속“전통”、건구“전통”적중요도경지일。
Taking Chinese classical dance body rhythms, Kun-qu dance and Li-yuan operas dance as the three study objects, the paper summarizes the construction and development of Chinese classical dance in the perspective of Chinese operas, and embodies the thinking of Chinese classical dance nourishing itself from the Beijing Opera, Kun-qu, and Li-yuan opera. This is the important way for present Chinese classical dance to inherit and construct the ＂tradition＂.