外国文学研究
外國文學研究
외국문학연구
Foreign Literature Studies
2014年
2期
66~72
,共null页
阿瑟·密勒 美国犹太裔戏剧 道德伦理 迫害 流散
阿瑟·密勒 美國猶太裔戲劇 道德倫理 迫害 流散
아슬·밀륵 미국유태예희극 도덕윤리 박해 류산
Arthur Miller Jewish Americandrama ethics persecution Diaspora
本文从犹太道德观、灾难意识和流散情结等方面分析蕴含在密勒戏剧创作中的犹太特征。密勒早期剧作如《推销员之死))在批评商业社会和美国梦的欺骗性等貌似普世性的主题背后,隐含着强烈的犹太民族意识,即意第绪语文化、道德操守和商业意识等犹太传统母题。随着上世纪中叶美国民主运动的掀起和各少数族裔意识的增强,密勒也和其他少数族裔作家一样表现出强烈的民族意识和身份认同感,其中后期作品如《堕落之后》、(《维希事件》和《为了生存而演奏》等开始直面犹太民族的灾难意识,而还有不少戏剧如(《美国时钟》和《砸抢之夜》等则充分传达出犹太人散居异国他乡的创伤情结。
本文從猶太道德觀、災難意識和流散情結等方麵分析蘊含在密勒戲劇創作中的猶太特徵。密勒早期劇作如《推銷員之死))在批評商業社會和美國夢的欺騙性等貌似普世性的主題揹後,隱含著彊烈的猶太民族意識,即意第緒語文化、道德操守和商業意識等猶太傳統母題。隨著上世紀中葉美國民主運動的掀起和各少數族裔意識的增彊,密勒也和其他少數族裔作傢一樣錶現齣彊烈的民族意識和身份認同感,其中後期作品如《墮落之後》、(《維希事件》和《為瞭生存而縯奏》等開始直麵猶太民族的災難意識,而還有不少戲劇如(《美國時鐘》和《砸搶之夜》等則充分傳達齣猶太人散居異國他鄉的創傷情結。
본문종유태도덕관、재난의식화류산정결등방면분석온함재밀륵희극창작중적유태특정。밀륵조기극작여《추소원지사))재비평상업사회화미국몽적기편성등모사보세성적주제배후,은함착강렬적유태민족의식,즉의제서어문화、도덕조수화상업의식등유태전통모제。수착상세기중협미국민주운동적흔기화각소수족예의식적증강,밀륵야화기타소수족예작가일양표현출강렬적민족의식화신빈인동감,기중후기작품여《타락지후》、(《유희사건》화《위료생존이연주》등개시직면유태민족적재난의식,이환유불소희극여(《미국시종》화《잡창지야》등칙충분전체출유태인산거이국타향적창상정결。
This paper analyzes the Jewish characteristics such as Jewish morality, hOlOCaUSt awareness and diasporic complex in Arthur Miller's plays. In his early plays such as Death of a Salesman, Miller harshly criticizes the deception of commercial society and the American dream. However, underneath these common themes, there lie a series of traditional Jewish motifs of Yiddish culture, moral codes and commerce awareness. With the development of American democratic movement and the reenforcement of ethnic identity, Miller manifests a strong sense of ethnic awareness and identity. His later plays such as After the Fall, Incidents at lOchy and Playing for Time begin to express directly his empthy for the victims of holocaust. Other plays like The American Clock and The Broken Glass expound a sense of traumatic complex deriving from the Jewish diasporic dwelling to exotic places.