CAJ | 학술논문

本文从20世纪下半叶英国社会现实出发,对伊恩·麦克尤恩早期和中期作品的艺术风格进行文本分析,认为麦氏的这些作品均充分揭示了英国战后的伦理道德危机,但这两个时期的小说呈现出较大的分野.20世纪七八十年代的作品以伦理禁忌为主要话题,采用空间叙事手段,在“作者隐退”的策略下让读者惴惴不安;而九十年代以来的作品,转向政治、历史和战争等严肃题材,并利用精彩的故事情节、独特的伦理境遇,在不可靠叙述和互文性等叙事技巧的烘托下铸就了多部经典.文章进而认为这一华丽转变主要原因是麦克尤恩逐渐重视作者在叙事中的权威,不断利用“叙事干预”来挖掘小说的道德教诲功能.
본문종20세기하반협영국사회현실출발,대이은·맥극우은조기화중기작품적예술풍격진행문본분석,인위맥씨적저사작품균충분게시료영국전후적윤리도덕위궤,단저량개시기적소설정현출교대적분야.20세기칠팔십년대적작품이윤리금기위주요화제,채용공간서사수단,재“작자은퇴”적책략하양독자췌췌불안;이구십년대이래적작품,전향정치、역사화전쟁등엄숙제재,병이용정채적고사정절、독특적윤리경우,재불가고서술화호문성등서사기교적홍탁하주취료다부경전.문장진이인위저일화려전변주요원인시맥극우은축점중시작자재서사중적권위,불단이용“서사간예”래알굴소설적도덕교회공능.
Based on post-Second World War social realities, Ian McEwan＇s fiction from the first few decades of his writing career represents various ethical and moral crises of twentieth-century Britain. Stylistically, however, his writings in the 1970s and early 1980s exhibit an indulgence in taboo subjects, the conscious use of spatial narrative techniques and detached narration, whereas his novels in the 1990s and after gradually turn to more serious subject matters, such as politics, history and war. These later works,especially Amsterdam and Atonement, with their fascinating storylines, unique ethical encounters, unreliable narration and intertextual references, have inaugurated him as one of the most influential writers in the contemporary English literary scene. This paper argues that McEwan＇s transformation as a writer is mainly informed by his recognition of the author＇s power as narrator and the power of narrative intervention as a strategy toward moral edification.