CAJ | 학술논문

本文运用权力理论分析小说《赫索格》中的夫妻矛盾,探讨两性关系背后潜在的政治、文化内涵,认为赫索格夫妇的性爱活动伴随着权力争夺,身体是双方控制与反控制斗争的焦点,夫妻矛盾与冲突本质上反映了性别政治的内容.赫索格将出轨的马德琳描述成“淫女”、“魔女”,以父权社会伦理法则对马德琳进行规训与审判,所使用的话语是社会系统中权力的替代品,或者说是父权文化机制下男性权力的表征.与赫索格产生情感纠葛的四位女性戴西、马德琳、雷蒙娜和园子,分别与犹太文化、消费文化、美国多元文化和东方文化相对应,赫索格对待她们的不同态度在一定程度上也反映出作家贝娄的文化立场和价值取向.
본문운용권력이론분석소설《혁색격》중적부처모순,탐토량성관계배후잠재적정치、문화내함,인위혁색격부부적성애활동반수착권력쟁탈,신체시쌍방공제여반공제두쟁적초점,부처모순여충돌본질상반영료성별정치적내용.혁색격장출궤적마덕림묘술성“음녀”、“마녀”,이부권사회윤리법칙대마덕림진행규훈여심판,소사용적화어시사회계통중권력적체대품,혹자설시부권문화궤제하남성권력적표정.여혁색격산생정감규갈적사위녀성대서、마덕림、뢰몽나화완자,분별여유태문화、소비문화、미국다원문화화동방문화상대응,혁색격대대저문적불동태도재일정정도상야반영출작가패루적문화립장화개치취향.
This paper explores the political and cultural connotations of gender relations in Herzog, arguing that Herzog and his wife Madeleine＇s sex activities implicate a power struggle for domination of which body functions as the site. Describing the unfaithful Madeleine as a whore and a witch, Herzog attempts to discipline and judge her by marital ethics, or a discourse of gender politics cementing the male power under the mechanism of patriarchal culture. The four women in Herzog＇s sexual life, marital or extra-marital, respectively embody the Jewish culture, consumer culture, American multiculturalism and oriental culture. Herzog＇s various attitudes towards the four women reflect to a certain extent Saul Bellow the author＇s cultural stand and value orientation.