中国人民大学学报
中國人民大學學報
중국인민대학학보
Journal of Renmin University of China
2014年
3期
98~105
,共null页
古典诗歌 强势文体 语言美 小说 戏曲
古典詩歌 彊勢文體 語言美 小說 戲麯
고전시가 강세문체 어언미 소설 희곡
classic poetry; strong style; beautiful language; fiction; drama
诗歌是一种强势的文体。诗歌从《诗经》、《楚辞》开始即形成了单纯的抒情风格。汉代以后,《诗经》被列为儒家经典之一。诗歌的文体强势,建立在民族语言的基础之上。各种文体之中,独有诗歌将汉字形、义、音的美发挥到了极致。诗歌以其语言美的优势侵入到散文,酝酿出赋和骈文两种半诗半文的文体,其实质是文学对语言美的追求。唐代的传奇是史传和诗歌双重影响下的产物。唐宋以后,诗歌已穷极变化。宋元的理学、明清的八股,小说和戏曲自身文体意识的觉醒,削弱了诗歌的强势地位。古代美学的精华主要来自诗歌。
詩歌是一種彊勢的文體。詩歌從《詩經》、《楚辭》開始即形成瞭單純的抒情風格。漢代以後,《詩經》被列為儒傢經典之一。詩歌的文體彊勢,建立在民族語言的基礎之上。各種文體之中,獨有詩歌將漢字形、義、音的美髮揮到瞭極緻。詩歌以其語言美的優勢侵入到散文,醞釀齣賦和駢文兩種半詩半文的文體,其實質是文學對語言美的追求。唐代的傳奇是史傳和詩歌雙重影響下的產物。唐宋以後,詩歌已窮極變化。宋元的理學、明清的八股,小說和戲麯自身文體意識的覺醒,削弱瞭詩歌的彊勢地位。古代美學的精華主要來自詩歌。
시가시일충강세적문체。시가종《시경》、《초사》개시즉형성료단순적서정풍격。한대이후,《시경》피렬위유가경전지일。시가적문체강세,건립재민족어언적기출지상。각충문체지중,독유시가장한자형、의、음적미발휘도료겁치。시가이기어언미적우세침입도산문,온양출부화병문량충반시반문적문체,기실질시문학대어언미적추구。당대적전기시사전화시가쌍중영향하적산물。당송이후,시가이궁겁변화。송원적이학、명청적팔고,소설화희곡자신문체의식적각성,삭약료시가적강세지위。고대미학적정화주요래자시가。
Poetry is a style with strong position. Starting from Book of Songs, Songs of the South, poetry began to develop a purely lyrical feature. After the Han Dynasty, Book of Songs was listed as one of the Confucian classics by the rulers. Strong stylistic poetry is based on the national language. Among a variety of styles, poetry is a unique genre that fully displays the beauty of Chinese characters in terms of sense, sound and form. With its advantage of beautiful language, poetry invades prose, thus brewing "fu" style and "pianwen" (parallel prose), which are two genres of semi-parallel prose poems. The essence is the pursuit of language beauty of literature. Legends of the Tang Dynasty were a prod- uct evolving under the influence of both historic biography and poetry. The Neo-Confucianism of the Song Dynasty, the "baguwen" (stereotyped writing ) of the Ming and Qing Dynasty, the self-awaking stylistic consciousness of fiction and drama, have all weaken the strong position of poetry. After the Tang and Song Dynasty, poetry has undergone virtually no changes. The essence of Chinese ancient aesthetics derived primarily from poetry.