CAJ | 학술논문

本文从想象与时间的关联视角对T.S．艾略特的《阿尔弗瑞德·普鲁弗洛克的情歌》进行了细读，这样的细读表征了诗歌中词、句、段之间的内在关联以及它们在诗歌整体中是如何生成、运作的。这一解读注重的是哲学和诗歌之间的对话。通过对普鲁弗洛克的意识的疏解，我们试图凸显从英雄到反英雄的转变是如何发生的。《阿尔弗瑞德·普鲁弗洛克的情歌》是对传统情歌主角的颠覆，揭示出在没有“英雄”的人生舞台上，人人都是过客，在时间消逝中的想像中体验虚无中的循环。
본문종상상여시간적관련시각대T.S．애략특적《아이불서덕·보로불락극적정가》진행료세독，저양적세독표정료시가중사、구、단지간적내재관련이급타문재시가정체중시여하생성、운작적。저일해독주중적시철학화시가지간적대화。통과대보로불락극적의식적소해，아문시도철현종영웅도반영웅적전변시여하발생적。《아이불서덕·보로불락극적정가》시대전통정가주각적전복，게시출재몰유“영웅”적인생무태상，인인도시과객，재시간소서중적상상중체험허무중적순배。
The paper gives a close reading of the relevance of time and imagination in T.S. Eliot＇s The Love Song of J. Alfred Prufrock. It reveals the inner relevance among the words, sentences and paragraphs and their generation and operation in the whole poem, and attaches importance to the dialogue between philosophy and poetry. Through the interpretation of the conscious- ness of Prufrock, the paper tries to disclose the change from a ＂hero＂ to an ＂antihero＂. Thus,The Love Song of J. Alfred Pru- frock is a subversion of the traditional love poems and reveals that there is no any ＂hero＂ on the life - stage, everyone is a passer - by who experiences the everlasting recycle of nothingness in imagination and in time.