CAJ | 학술논문

审美本质即审美意义，获得审美意义的方法是现象学。现象学的还原，实际上是由现实意识升华为审美意识（审美体验），所谓本质直观也就是审美体验，审美意象就是现象。对审美体验的反思就获得了对审美意义的把握。这包括两个步骤：通过对审美体验的一度反思产生审美范畴，这是审美意义的具体形态；再通过二度反思，把握一般的审美意义，这就是审美的本质。由于审美是自由的生存方式，是向存在的回归，因此审美意义就是存在的意义，而存在的意义就是自由。
심미본질즉심미의의，획득심미의의적방법시현상학。현상학적환원，실제상시유현실의식승화위심미의식（심미체험），소위본질직관야취시심미체험，심미의상취시현상。대심미체험적반사취획득료대심미의의적파악。저포괄량개보취：통과대심미체험적일도반사산생심미범주，저시심미의의적구체형태；재통과이도반사，파악일반적심미의의，저취시심미적본질。유우심미시자유적생존방식，시향존재적회귀，인차심미의의취시존재적의의，이존재적의의취시자유。
The aesthetic essence is the aesthetic meaning, while the phenomenology acts as the methodology of acquiring the aesthetic meaning. The phenomenological reduction of the aesthetic essence is the sublimation from realistic consciousness to aesthetic consciousness （aesthetic erlebnis）, while the introspection on the aesthetic erlebnis leads to the aesthetic meaning. The process of achieving the meaning of aesthetics is composed of two introspection, including the first-time introspection on the aesthetic erlebnis, which produces the categories of aesthetics, namely the specific shape of aesthetic meaning, and the second-time introspection to understand the general aesthetic meaning, namely the aesthetic essence