CAJ | 학술논문

新疆呼图壁康家石门子岩画是远古时期的先民把人的动态身影和远古文化嵌进岩石、将人与天地融为一体，从而诠释人类历史与文化的非物质文化遗产。本文将着眼于康家石门子岩画造型的动势造型，来辨析维吾尔族、哈萨克族、柯尔克孜族舞蹈动势与呼图壁康家石门子岩画上舞蹈形象之间的渊源关系。从而可看出千年岩画上的舞蹈动势与当今新疆地区各民族舞蹈艺术之间的关系，这也是它在当代社会仍在发挥极大作用的价值与意义之所在。
신강호도벽강가석문자암화시원고시기적선민파인적동태신영화원고문화감진암석、장인여천지융위일체，종이전석인류역사여문화적비물질문화유산。본문장착안우강가석문자암화조형적동세조형，래변석유오이족、합살극족、가이극자족무도동세여호도벽강가석문자암화상무도형상지간적연원관계。종이가간출천년암화상적무도동세여당금신강지구각민족무도예술지간적관계，저야시타재당대사회잉재발휘겁대작용적개치여의의지소재。
Shimenzi fresco in Hutubi, Xinjiang is the mixture of ancient human＇s dynamic figure and ancient culture, so as to explain the human history and culture of the intangible cultural heritage. This paper focuses on the dynamic figure of Shimenzi fresco, through the analysis of these frescos; we can have an understanding of the footsteps of Kazak, Krigiz and Uygur on this land, their praying, dancing, and the self-improvement spirit of the ancestors. From these paintings we can distinct the dancing movement of Kirgiz, Kazak and Uygur, and the relationship of each other. The relationship between the Millennium paintings and current Xinjiang ethnic dance art not only reflects that the dancing has a long history and strong vitality of the arts, but also that of the eternal cultural spirit of dance. And this spirit still plays a significant role in contemporary society.