CAJ | 학술논문

霍楠囡是周口新生代代表诗人，在诗歌中塑造出一系列孤独的个体形象，坚定、淡然地独行于黑白世界之间，表现出对生活的忠实和认真。霍楠囡有着明确的语言意识，在对语言的肆意挥洒中宣泄那些隐藏在无意识深处的痛苦和忧伤，从这一意义而言，诗人的语言行为也就是自我疗救的过程。但对于曾经有过介入现实写作冲动的诗人来说，过度沉溺于语言的精雕细琢使她失却了一份担当精神和直面现实的勇气。透过语言的乌托邦，让人一眼看到主体灵魂的痛苦和现实生活的沉重。
곽남닙시주구신생대대표시인，재시가중소조출일계렬고독적개체형상，견정、담연지독행우흑백세계지간，표현출대생활적충실화인진。곽남닙유착명학적어언의식，재대어언적사의휘쇄중선설나사은장재무의식심처적통고화우상，종저일의의이언，시인적어언행위야취시자아료구적과정。단대우증경유과개입현실사작충동적시인래설，과도침닉우어언적정조세탁사저실각료일빈담당정신화직면현실적용기。투과어언적오탁방，양인일안간도주체령혼적통고화현실생활적침중。
As a representative new generation poet in Zhoukou, HUO Nannan created, in her poem, a series of isolated individual characters who firmly and indifferently walk alone in the black and white world, showing their faith and earnest to living. HUO Nannan has the definite language consciousness, thus she can act out her suffering and grief hidden unconsciousness by freely using language. From this sense, the linguistic performance is also self-salvation. But for a poet who once want to involve in the reality, she lost the courage and spirit to face the reality as overindulging refine language. Though the language utopia, we can find the agony of subject and the heavy of reality.