CAJ | 학술논문

赵尊岳的词作艺术创作观以对词心、词情、词笔的阐说为核心而展开。他以“词心”为词体创作的内在本源，以“词情”为词体美感的生发之本，以“词笔”为词体美韵的呈现形式，认为三者相辅相成，一同成为词的创作过程中不可或缺的要素系统，始终推动与建构着词作艺术呈现的全过程。
조존악적사작예술창작관이대사심、사정、사필적천설위핵심이전개。타이“사심”위사체창작적내재본원，이“사정”위사체미감적생발지본，이“사필”위사체미운적정현형식，인위삼자상보상성，일동성위사적창작과정중불가혹결적요소계통，시종추동여건구착사작예술정현적전과정。
The view of Zhao Zunyue＇ s Ci - poetry artistic creation expands with explaining the Ci - poetry heart, Ci - poetry feeling and Ci - poetry artistry as the core. He takes Ci - poetry heart as Ci - poetry creation inner source, Ci -poetry feeling as the foundation of the Ci -poetry aesthetics germinal root, Ci -poetry artistry as the present form of the Ci -poetry beautiful rhyme. He thinks that the three complement each other, together with the system becoming the indispensable element in the creation of Ci - poetry and always of constructing Ci - poetry＇ s art. pushing the whole process