文物保护与考古科学
文物保護與攷古科學
문물보호여고고과학
Sciences of Conservation and Archaeology
2014年
2期
9~15
,共null页
杨颖东 何秋菊 周志清 崔剑锋
楊穎東 何鞦菊 週誌清 崔劍鋒
양영동 하추국 주지청 최검봉
十二桥遗址新一村 漆陶 红外光谱 显微激光拉曼 碳-14
十二橋遺阯新一村 漆陶 紅外光譜 顯微激光拉曼 碳-14
십이교유지신일촌 칠도 홍외광보 현미격광랍만 탄-14
Xinyicun site in Shierqiao ; Painted pottery ; FTIR ; Micro - Raman ; ^14 C
为了探究成都地区漆器制造历史和工艺,对2010年度成都十二桥遗址新一村一期地点出土的一批彩绘陶残片样品采用包括:加速器质谱碳十四年代测定(AMS-^14C)、傅立叶变换红外光谱(FTIR)、显微镜形貌观察(OM)、显微激光拉曼(Micro-Raman)、能量色散x射线荧光(XRF)等分析方法进行了研究。结果表明这批陶器年代在西周中晚期至春秋。陶胎以易熔粘土为原料而成;彩绘层是用生漆(大漆)分别加炭黑、朱砂调和结膜而成;髹漆工艺为先髹饰黑色底漆层,然后再用含朱砂的红色颜料漆勾勒图案,黑红相问形成鲜明对比,起到良好装饰效果。这批漆陶的发现表明成都平原地区大漆工艺的使用年代可到西周中晚期。
為瞭探究成都地區漆器製造歷史和工藝,對2010年度成都十二橋遺阯新一村一期地點齣土的一批綵繪陶殘片樣品採用包括:加速器質譜碳十四年代測定(AMS-^14C)、傅立葉變換紅外光譜(FTIR)、顯微鏡形貌觀察(OM)、顯微激光拉曼(Micro-Raman)、能量色散x射線熒光(XRF)等分析方法進行瞭研究。結果錶明這批陶器年代在西週中晚期至春鞦。陶胎以易鎔粘土為原料而成;綵繪層是用生漆(大漆)分彆加炭黑、硃砂調和結膜而成;髹漆工藝為先髹飾黑色底漆層,然後再用含硃砂的紅色顏料漆勾勒圖案,黑紅相問形成鮮明對比,起到良好裝飾效果。這批漆陶的髮現錶明成都平原地區大漆工藝的使用年代可到西週中晚期。
위료탐구성도지구칠기제조역사화공예,대2010년도성도십이교유지신일촌일기지점출토적일비채회도잔편양품채용포괄:가속기질보탄십사년대측정(AMS-^14C)、부립협변환홍외광보(FTIR)、현미경형모관찰(OM)、현미격광랍만(Micro-Raman)、능량색산x사선형광(XRF)등분석방법진행료연구。결과표명저비도기년대재서주중만기지춘추。도태이역용점토위원료이성;채회층시용생칠(대칠)분별가탄흑、주사조화결막이성;휴칠공예위선휴식흑색저칠층,연후재용함주사적홍색안료칠구륵도안,흑홍상문형성선명대비,기도량호장식효과。저비칠도적발현표명성도평원지구대칠공예적사용년대가도서주중만기。
In order to explore the history and technology of lacquer manufacture in Chengdu, a batch of painted pottery objects unearthed in the first session of archaeological excavation the Xinyicun Site of Shierqiao district in Chengdu in 2010 were analyzed via radiocarbon dating through accelerator mass spectrometry (AMS-^14C), Fourier Transform Infrared Spectroscopy (FHR), Optical Microscopy (OM), Micro Laser Raman Spectroscopy (Micro- Raman) and X- Ray Fluorescence (XRF). The results of these studies showed these objects were probably used during from middle or late Western Zhou Dynasty to the Spring and Autumn period. The pottery was made of fusible clay, the black and red painting layers were Chinese lacquer mixed with carbon black and cinnabar (HgS), respectively. A layer of black lacquer was brushed on the whole surface of the pottery first and then the red paint was used to outline the pattern. These discoveries suggest that the lacquer craftsmanship in the Chengdu Plain can be dated back at least as far as the middle or late Western Zhou Dynasty.