CAJ | 학술논문

随着旅游业的发展,实景演出剧场作为新旅游空间,招募了大量非少数民族青年女性从事少数民族歌舞表演。文章以身体为出发点考察这些女性表演者的社会型塑：女性表演者身体在市场的性别化消费逻辑下,经由组织制度化的时空运作以及组织中的身体规训而被型塑,成为了具有消费性、生产性以及民族文化性的身体,从而揭示旅游演艺将民族文化化约为隐匿在其背后的传统性别秩序与社会性别角色。
수착여유업적발전,실경연출극장작위신여유공간,초모료대량비소수민족청년녀성종사소수민족가무표연。문장이신체위출발점고찰저사녀성표연자적사회형소：녀성표연자신체재시장적성별화소비라집하,경유조직제도화적시공운작이급조직중적신체규훈이피형소,성위료구유소비성、생산성이급민족문화성적신체,종이게시여유연예장민족문화화약위은닉재기배후적전통성별질서여사회성별각색。
With the development of tourist industry, real live performance theatre has been created on site. A large number of Han women are recruited to perform dances of ethnic minorities. This paper uses the body as a starting point to investigate the social construct of gendered body, recognizing that women performers’ body is socially constructed in the context of gendered consumption, through the space and time of institutional rules of an organization. The private and ordinary body has become a productive, consumable and ethnic cultural body, which conveys a traditional gender order with gendered roles hidden behind the touristic performing art.