乐府新声:沈阳音乐学院学报
樂府新聲:瀋暘音樂學院學報
악부신성:침양음악학원학보
The New Voice of Yue-fu(The Academic Periodical of Shenyang Conservatory of Music)
2014年
2期
60~66
,共null页
京剧样板戏 美学 传播
京劇樣闆戲 美學 傳播
경극양판희 미학 전파
Beijing Opera model drama;aesthetics;dissemination
“样板戏”是“文化大革命”时期的专有词:是糅杂着艺术和非艺术因素的,至今难以厘清的戏剧形式;是多层艺术格局的艺术模式;是具有艺术美学和政治美学双重结构的现代京剧。“文化大革伊期间盛行的诗歌、小说、歌曲、美术、舞蹈、影视剧等代表着一个时代的文艺作品早已随着“四人帮”的粉碎而烟消云散,唯有“样板戏”及其衍生作品至今仍顽强活跃在艺术的舞台上。京剧样板戏作品在政治荣光消散之后以艺术形式重现,在时代变迁中屹立不倒。“文化大革命”过去近半个世纪,在学术环境自由的今天,亟需从多种角度重新审视京剧样板戏,回顾其传播模式,剖析其社会影响和所引领的美学思潮。
“樣闆戲”是“文化大革命”時期的專有詞:是糅雜著藝術和非藝術因素的,至今難以釐清的戲劇形式;是多層藝術格跼的藝術模式;是具有藝術美學和政治美學雙重結構的現代京劇。“文化大革伊期間盛行的詩歌、小說、歌麯、美術、舞蹈、影視劇等代錶著一箇時代的文藝作品早已隨著“四人幫”的粉碎而煙消雲散,唯有“樣闆戲”及其衍生作品至今仍頑彊活躍在藝術的舞檯上。京劇樣闆戲作品在政治榮光消散之後以藝術形式重現,在時代變遷中屹立不倒。“文化大革命”過去近半箇世紀,在學術環境自由的今天,亟需從多種角度重新審視京劇樣闆戲,迴顧其傳播模式,剖析其社會影響和所引領的美學思潮。
“양판희”시“문화대혁명”시기적전유사:시유잡착예술화비예술인소적,지금난이전청적희극형식;시다층예술격국적예술모식;시구유예술미학화정치미학쌍중결구적현대경극。“문화대혁이기간성행적시가、소설、가곡、미술、무도、영시극등대표착일개시대적문예작품조이수착“사인방”적분쇄이연소운산,유유“양판희”급기연생작품지금잉완강활약재예술적무태상。경극양판희작품재정치영광소산지후이예술형식중현,재시대변천중흘립불도。“문화대혁명”과거근반개세기,재학술배경자유적금천,극수종다충각도중신심시경극양판희,회고기전파모식,부석기사회영향화소인령적미학사조。
"Model drama" is a specific term of"Cultural Revolution". It mixes various artistic and non-artistic elements, blends multi-layer art patterns, and belongs to dual-structural modern Beijing Opera which possesses artistic and politi.cal aesthetics. Some literary and artistic representative qcorks of "Cultural Revolution", poems, novels, songs, paintings, dances and films, have already disappeared with the downfall of the"gang of fouur", but "model drama" and. its derivative works display on the stage as an artistic form after the dissipation of its political glory and still gain their own position in the changing times. Nearly bali of a century has passed since the "Cultural Revolution", and in today's free academic situation, Beijing Opera model drama should be reexamined from various angles and its dissemination methods, social influence and aesthetic thoughts should be made a deep analysis.