CAJ | 학술논문

1940年代一直到“文化大革命”时期,中国的文学写作一直遭受着处于主流地位的“工具文体”的严重制约.“新时期”文学突破“工具文体”的历史起点,并不是有学者所认为的“八五小说新潮”,而是“伤痕”、“反思”小说.这一突破,主要是通过“精英主体”的语言表达、“精英语言”的本体追求和“异语”的现代性录用等策略,从而建立“精英文体”的方式来完成的.
1940년대일직도“문화대혁명”시기,중국적문학사작일직조수착처우주류지위적“공구문체”적엄중제약.“신시기”문학돌파“공구문체”적역사기점,병불시유학자소인위적“팔오소설신조”,이시“상흔”、“반사”소설.저일돌파,주요시통과“정영주체”적어언표체、“정영어언”적본체추구화“이어”적현대성록용등책략,종이건립“정영문체”적방식래완성적.
From 1940s till the Cultural Revolution, Chinese literary writing was severely restricted by the dominant ＂instrumental style＂. The historic starting point of the breaking through in the＂New Period＂ , is not the ＂1985 new wave of novels＂, as some scholars have considered; Rather, it is the ＂scar novels＂ and the ＂introspection novels＂. This breaking through is completed by applying the strategy of expressing elite speech, elite language and alien modernity, thus to establish the ＂elite style＂.