CAJ | 학술논문

产生和流传于清末民初的长篇歌仔《过番歌》,反映的是19世纪末20世纪初来自社会底层的那部分中国东南亚移民的一段海外生存经验.他们从土地走向大海,离乡背井的亲情疏隔与骨肉离散,置身异邦的文化陌生与谋生维艰,其与中国宗法社会的孝悌观念和安土重迁的故园情结,以及对异质文化的不适和理想与现实的巨大落差,背后都潜在着激烈的文化冲突,注定了他们在饱经挫折之后选择返回故土的原点,形成了这部长篇歌仔“劝恁只厝那可度,番平千万不通行”的宿命的劝世主题.
산생화류전우청말민초적장편가자《과번가》,반영적시19세기말20세기초래자사회저층적나부분중국동남아이민적일단해외생존경험.타문종토지주향대해,리향배정적친정소격여골육리산,치신이방적문화맥생여모생유간,기여중국종법사회적효제관념화안토중천적고완정결,이급대이질문화적불괄화이상여현실적거대락차,배후도잠재착격렬적문화충돌,주정료타문재포경좌절지후선택반회고토적원점,형성료저부장편가자“권임지조나가도,번평천만불통행”적숙명적권세주제.
The full-length Gezai Guo Fan Ge, originated and spread in the end of the Qing dynasty and the early years of the Republic of China, reflected a period of overseas living experiences of the south-east emigrants from the bottom of society in China during the end of 19th century and the early years of 20th century. They left their home and came to the south-east countries far from their affection between blood relations, settled down in a strange culture and earned hard bread, with a hometown complex of filial piety and hating to leave their native land, felt an unadjusted to the foreign culture and great difference between the ideal and reality and experienced a culture shock that made them want to return their hometown after suffering hard life, which formed the fatalism advising theme of the full - length talking and singing literature Gezai.