CAJ | 학술논문

苏轼的美学思想主要表现在三个方面：首先从其文道观来看，“辞达”的文艺观完全跳出了传统的文道关系论，既肯定了文艺的实践性价值，也强调了文艺自身独立的价值；其次从其自然观来看，苏轼具有形而上本体意义的自然观，破除了性情抒发与艺术技艺之间的对立，强调了人的情感的重要性；再次，苏轼“超然物外”的审美境界观，熔铸成古代士大夫文化人格的典范。
소식적미학사상주요표현재삼개방면：수선종기문도관래간，“사체”적문예관완전도출료전통적문도관계론，기긍정료문예적실천성개치，야강조료문예자신독립적개치；기차종기자연관래간，소식구유형이상본체의의적자연관，파제료성정서발여예술기예지간적대립，강조료인적정감적중요성；재차，소식“초연물외”적심미경계관，용주성고대사대부문화인격적전범。
The aesthetic thought of Su Shi represents in three main domains. First of all,in his concept of writing and truth,the presentation of the literary view of ″ Ci Da″（expressiveness）is entirely out of the traditional relationship theory of writing and truth,and it stresses both the functional value and its independent literary value;secondly,in his concept of nature,Su Shi considers nature from the perspective of metaphysical ontology,in which it eliminates the opposition between the temperamental expression and artistic skill, and emphasizes the major role of one ＆#39; s sentiment. Finally,his aesthetic concept of Jin Jie（ state）of ″ Chao Ran Wu Wai″（transcendence）forges the model cultural personality of ancient Chinese scholar-bureaucrats.