周易研究
週易研究
주역연구
Studies of Zhouyi
2014年
3期
71~76
,共null页
清华简《筮法》 《周易》 数字卦
清華簡《筮法》 《週易》 數字卦
청화간《서법》 《주역》 수자괘
Shifa on Tshinghua bamboo slips; Zhouyi; numerical hexagrams
文章对清华简《筮法》篇中的“虚”、“昭穆”、“肴”等字句提出了不同于初刊释文的解释,对卦位图、人身图的绘制理据做了详细分析。认为“肴”的概念含有混淆之义,不能等同于《周易》中的“爻”,二者有着极大的区别。卦位图中坎、离的位置之所以与《说卦》所载后天八卦图相反,是因为《筮法》兼顾了两卦卦名用字的意义和两卦的阴阳属性。由于《筮法》以艮为水,故其卦位图较后天八卦图更加符合五行相生之序。文章还指出,《筮法》以坎为火在《说卦》中可以找到文字依据,人身图所暗含的卦图竞与《说卦》后天八卦图相同。以上事实说明,在战国时代,《筮法》与《周易》之间存在着错综复杂的关系.两者是相互影响的。
文章對清華簡《筮法》篇中的“虛”、“昭穆”、“餚”等字句提齣瞭不同于初刊釋文的解釋,對卦位圖、人身圖的繪製理據做瞭詳細分析。認為“餚”的概唸含有混淆之義,不能等同于《週易》中的“爻”,二者有著極大的區彆。卦位圖中坎、離的位置之所以與《說卦》所載後天八卦圖相反,是因為《筮法》兼顧瞭兩卦卦名用字的意義和兩卦的陰暘屬性。由于《筮法》以艮為水,故其卦位圖較後天八卦圖更加符閤五行相生之序。文章還指齣,《筮法》以坎為火在《說卦》中可以找到文字依據,人身圖所暗含的卦圖競與《說卦》後天八卦圖相同。以上事實說明,在戰國時代,《筮法》與《週易》之間存在著錯綜複雜的關繫.兩者是相互影響的。
문장대청화간《서법》편중적“허”、“소목”、“효”등자구제출료불동우초간석문적해석,대괘위도、인신도적회제리거주료상세분석。인위“효”적개념함유혼효지의,불능등동우《주역》중적“효”,이자유착겁대적구별。괘위도중감、리적위치지소이여《설괘》소재후천팔괘도상반,시인위《서법》겸고료량괘괘명용자적의의화량괘적음양속성。유우《서법》이간위수,고기괘위도교후천팔괘도경가부합오행상생지서。문장환지출,《서법》이감위화재《설괘》중가이조도문자의거,인신도소암함적괘도경여《설괘》후천팔괘도상동。이상사실설명,재전국시대,《서법》여《주역》지간존재착착종복잡적관계.량자시상호영향적。
This paper gives different explanations about the terms xu 虚 ,zhaomu 昭穆 and xiao 肴 from the interpretations of them inthe originally published edition of the Shifa on the bamboo slips collected by Tsinghua University. It also analyzes in detail the principles and basis for the drawing of the Guawei (trigram-position) Diagram and Renshen ( Human Body) Figure. The term xiao 肴 meansconfusion, much different from the meaning of yao 爻 (lines) in the Zhou Changes. The reason why the positions of Kan [ ] and Li [ ] are opposite to their positions described in the Shuogua ( Discussion of the Trigrams} is that the Shifa takes both the meaningsof the two characters and their y/n oryang attributions into account. Since the Shifa views Gen [ ] as water, the sequence of the trigrams in the diagram is more congruent with the producing cycle of the Five Agents than that described in the Shuogua. In addition,the evidence for that Kan [ ] is associated with fire in the Shifa can be found in the Shuogua and the trigram diagram hidden in theHuman Body Figure is identical to the Later Heaven Eight Trigram Sequence in the Shuogua. Thus it can be seen that during the Warring States period (475-221 BCE) the relationship between the Shifa and the Zhouyi are complex and there exists mutual influencesbetween them.