CAJ | 학술논문

维兰德在1790至1813年间的一则手记中首创了“世界文学”这个新词。他将“世界文学”界定为所有民族所有时代的世界各国文学的典范作品总集，其“世界文学”概念带有浓重的欧洲中心主义和文化精英主义色彩。与赫尔德或歌德的“世界文学”构想相比，维兰德首创的狭义的“世界文学”概念获得了更为普遍的接受。
유란덕재1790지1813년간적일칙수기중수창료“세계문학”저개신사。타장“세계문학”계정위소유민족소유시대적세계각국문학적전범작품총집，기“세계문학”개념대유농중적구주중심주의화문화정영주의색채。여혁이덕혹가덕적“세계문학”구상상비，유란덕수창적협의적“세계문학”개념획득료경위보편적접수。
In a note taked in the time from 1790 to 1813, Christoph Martin Wieland used the new word world literature for the first time. He understood world literature as the sum total of literary modell works from all times and all nations. His concept of world literature is tinctured with eurocentrism and cultural elitism. By comparison with Herder or Goethe, Wieland＇s world literature is more successful.