CAJ | 학술논문

本文对宜城跑马堤墓地三座战国中期的墓葬所出仿铜陶礼器的制作工艺进行了考察和分析，认为陶礼器简化工艺、降低制作难度的理念与青铜器是一致的，而具体成形方式则采用陶器的制作方法。正是在东周楚地礼制普遍化的背景之下，陶礼器作为墓中陈设礼器而非实用器的性质使得它能够采用铜器的制作理念来达到简化工艺的目的。同时，本文还就制作工艺所反映的楚墓等级问题进行了讨论，认为制作工艺的规范性也是楚墓等级差异的表征之一。
본문대의성포마제묘지삼좌전국중기적묘장소출방동도례기적제작공예진행료고찰화분석，인위도례기간화공예、강저제작난도적이념여청동기시일치적，이구체성형방식칙채용도기적제작방법。정시재동주초지례제보편화적배경지하，도례기작위묘중진설례기이비실용기적성질사득타능구채용동기적제작이념래체도간화공예적목적。동시，본문환취제작공예소반영적초묘등급문제진행료토론，인위제작공예적규범성야시초묘등급차이적표정지일。
Through the inspection and analysis of the making techniques of the BronzeImitated Pot tery Ritual Vessels from three tombs of the Paomadi Cemetery in Yicheng which are at the middle age of the Warring States Period, this paper suggests that the ideas of simplifying processes and reducing difficulties of the pottery ritual vessel manufacture are the same as that of the bronze ritual vessels, while their specific shaping methods are still remaining the pottery vessels＇. And under the background of the generalization of ritual in Chu State during Eastern Zhou, the unpractical nature of the pottery ritual ves sels, meaning that they are just displayed in tombs, leads to the adoption of ideas of the bronze ritual vessel manufacture which simplifies the shaping process. Meanwhile, the classes of Chu tombs that the making techniques reflect are also discussed here, indicating that the normativeness of the marking tech niques is one of the representations of differences in class between tombs.