CAJ | 학술논문

不少中国当代的美学家认识到，研究美的问题不应该依照主客二分的模式，而应该采取超主客对立的思维。这与他们对于现象学美学思维方式的接受密切相关。在中国美学界，对于主客关系，学者们发出的声音并不一致。这表明现象学美学的思维方式真正促进了学者们的思考，中国美学的当代探索也包括了思维方式上的探索。
불소중국당대적미학가인식도，연구미적문제불응해의조주객이분적모식，이응해채취초주객대립적사유。저여타문대우현상학미학사유방식적접수밀절상관。재중국미학계，대우주객관계，학자문발출적성음병불일치。저표명현상학미학적사유방식진정촉진료학자문적사고，중국미학적당대탐색야포괄료사유방식상적탐색。
While Chinese aesthetics is substantially influenced by the phenomenological aesthetics, the estheticians start to realize that the studies should not fall into the category of subject-object dichotomy. This is closely related to their thinking of the phenomenological aesthetics. Ye Lang, Zhu Liyuan and Zeng Fanren express their common understandings as they introduce the way of phenomenal aesthetics. Chinese cultural context is their starting point. Moreover, they all have an inclination to the ontological phenomenon by Heidegger. This shows that the thinking mode of phenomenological aesthetics has really inspired Chinese estheticians, and exploration of Chinese aesthetics has also included exploration on the mode of thinking.