CAJ | 학술논문

“神话主义”是指现当代社会中对神话的挪用和重新建构，神话被从其原本生存的社区日常生活的语境移入新的语境中，为不同的观众而展现，并被赋予了新的功能和意义。本文以中国神话为考察对象，分析了神话主义在当代电子媒介中的三种主要承载形式---动画片、真人版影视剧和电子游戏，并将神话主义的文本类型划分为三类：援引传统的文本、融汇传统的文本与重铸传统的文本。我们认为：神话主义不仅是技术发展、媒介变迁的产物，作为当代大众媒介制造和传播的对象，它的生产与中国当下的政治、经济和社会文化语境密切相关；神话主义富有特殊的艺术光晕，是神话传统整体的一部分，应在神话完整的生命史过程中，对之加以考察和研究。
“신화주의”시지현당대사회중대신화적나용화중신건구，신화피종기원본생존적사구일상생활적어경이입신적어경중，위불동적관음이전현，병피부여료신적공능화의의。본문이중국신화위고찰대상，분석료신화주의재당대전자매개중적삼충주요승재형식---동화편、진인판영시극화전자유희，병장신화주의적문본류형화분위삼류：원인전통적문본、융회전통적문본여중주전통적문본。아문인위：신화주의불부시기술발전、매개변천적산물，작위당대대음매개제조화전파적대상，타적생산여중국당하적정치、경제화사회문화어경밀절상관；신화주의부유특수적예술광훈，시신화전통정체적일부분，응재신화완정적생명사과정중，대지가이고찰화연구。
“Mythologism”refers to the phenomenon that myths are often taken out of their communal everyday life contexts,and appropriated and reconstructed in new contexts to serve new audiences with new functions and meanings.Focusing on Chinese myths,this paper examines three sub-genres of modern E-media which often represent mythologism：animated cartoons,live action TV and movies,as well as digital games.In addition,the paper divides the mythologic texts into three categories：tradition-quoted text,tradition-immersed text,and tradition-rebuilt text.The author argues that mythologism is not simply representing old myths with the help of new technology of electronic media. Rather,the production of mythologism is a type of cultural production which is closely related to the social and cultural circumstances of today＇s China.Mythologism has its own special aura.It is a part of the entire tradition of myth and should be explored within the whole history of myths.