学术探索
學術探索
학술탐색
Academic Research
2014年
8期
94~98
,共null页
二十四诗品 自然 疏野 实境
二十四詩品 自然 疏野 實境
이십사시품 자연 소야 실경
the Twenty -four Modes of Poetry; Nature ; Wilderness ; Reality.
“自然”是中国人的长远追求,浸透于其人生、思想、美学和文学艺术等等方面。“自然”也是贯穿《二十四诗品》的一种美学精神,《二十四诗品》的尚“自然”有其特色和贡献。本文主要通过简析其中的《自然》《疏野》《实境》三品,对《二十四诗品》崇尚“自然”的基本情况、特色和贡献做简要的揭示和讨论。
“自然”是中國人的長遠追求,浸透于其人生、思想、美學和文學藝術等等方麵。“自然”也是貫穿《二十四詩品》的一種美學精神,《二十四詩品》的尚“自然”有其特色和貢獻。本文主要通過簡析其中的《自然》《疏野》《實境》三品,對《二十四詩品》崇尚“自然”的基本情況、特色和貢獻做簡要的揭示和討論。
“자연”시중국인적장원추구,침투우기인생、사상、미학화문학예술등등방면。“자연”야시관천《이십사시품》적일충미학정신,《이십사시품》적상“자연”유기특색화공헌。본문주요통과간석기중적《자연》《소야》《실경》삼품,대《이십사시품》숭상“자연”적기본정황、특색화공헌주간요적게시화토론。
Naturalness is a long pursuit of Chinese people, which permeates into their life, thought, aesthetics, literature and arts. It is also the theme that runs through the Twenty four Modes of Poetry, where the advocation of unaffectedness has its own characteristics and contribution. This paper discusses the basic situation, features and contributions of the pursuit of naturalness in the Twenty four Modes of Poetry by analysis of three styles from it, Nature, Wilderness, and Reality.