兰州大学学报：社会科学版
蘭州大學學報：社會科學版
란주대학학보：사회과학판
Journal of Lanzhor University(Social Sciences)
2014年
4期
156~160
,共null页
宗炳 《画山水序》 观道 畅神
宗炳 《畫山水序》 觀道 暢神
종병 《화산수서》 관도 창신
Zong Bing; Preface to the Landscape Painting; observing Tao; setting free spirit
南朝画家宗炳的《画山水序》，其美学思想历来被认为是佛、道、玄融合的结果。从“观道”、“澄怀”、“味象”、“畅神”几个关键概念对其分析，认为宗炳的思想确实包含了佛、道、玄各家的思想，但具体文本应视乎其行文所持的立场来确定其倾向，在《画山水序》中，宗炳还是以玄学思想作为其根本。
南朝畫傢宗炳的《畫山水序》，其美學思想歷來被認為是彿、道、玄融閤的結果。從“觀道”、“澄懷”、“味象”、“暢神”幾箇關鍵概唸對其分析，認為宗炳的思想確實包含瞭彿、道、玄各傢的思想，但具體文本應視乎其行文所持的立場來確定其傾嚮，在《畫山水序》中，宗炳還是以玄學思想作為其根本。
남조화가종병적《화산수서》，기미학사상력래피인위시불、도、현융합적결과。종“관도”、“징부”、“미상”、“창신”궤개관건개념대기분석，인위종병적사상학실포함료불、도、현각가적사상，단구체문본응시호기행문소지적립장래학정기경향，재《화산수서》중，종병환시이현학사상작위기근본。
The aesthetic ideology embodied in Zong Bing＇s Preface to the Landscape Painting has been said the integration of Buddhism, Taoism, and Metaphysics. Through working on the concepts such as ＂observing Tao＂, ＂purifying mind＂, ＂reflecting upon nature＂ and ＂setting free spirit＂ advanced in this book, this paper postulates that Zong Bing had greatly been influenced by Buddhism, Taoism, and Metaphysics; however, the overwhelming tone of his narration is of metaphysics.
