CAJ | 학술논문

偶型作为一种文化现象广泛存在，并伴随人类文明而发展。“偶”与“偶像”、“偶”与“俑”具有不同的文化隐喻和文化内含，并显现出由神的象征转变为人的表现、蛊惑之用转变为娱乐之具、民俗概念转变为品牌范畴等偶型艺术文化意涵的嬗变。正确认知偶型艺术的文化存在，进而有助于解放思想，摆脱对偶型艺术的固态化认知，才能实现科技介入于产业化发展、文化扩充于市场化运营、创意呈现于个性化拓展等基于偶型艺术的文化创造。
우형작위일충문화현상엄범존재，병반수인류문명이발전。“우”여“우상”、“우”여“용”구유불동적문화은유화문화내함，병현현출유신적상정전변위인적표현、고혹지용전변위오악지구、민속개념전변위품패범주등우형예술문화의함적선변。정학인지우형예술적문화존재，진이유조우해방사상，파탈대우형예술적고태화인지，재능실현과기개입우산업화발전、문화확충우시장화운영、창의정현우개성화탁전등기우우형예술적문화창조。
The image-form as a widely-spread cultural phenomenon, has always accompanied the development of human civilization. ＂Image＂ and ＂idol＂ and ＂image＂ and ＂figurine＂ possess different cultural connotations and implications, symbolizing a transformation of artistic cultural implication from divine token to human expression, from bewitching function to entertainment style and from folk concept to iconic category. A proper recognition of im- age-form art as a cultural existence will help set free ideology and get rid of the fixed recognition of image-form art so as to encourage cultural innovations based on image-form art, including scientific and technological involvement in development of industrialization, market operation of culture production and personalized extension of artistic originality.