CAJ | 학술논문

本文以孙颖的“汉唐舞”、高金荣的“敦煌舞”以及台湾刘凤学的“唐乐舞重建”三者为研究对象，归纳历史维度下中国古典舞的建构与发展，体现了中国古典舞从史料典籍、文献图像中吸收营养建构自身的思路。这是中国古典舞在当下除“戏曲维度”之外，延续“传统”、建构“传统”的另一重要途径。
본문이손영적“한당무”、고금영적“돈황무”이급태만류봉학적“당악무중건”삼자위연구대상，귀납역사유도하중국고전무적건구여발전，체현료중국고전무종사료전적、문헌도상중흡수영양건구자신적사로。저시중국고전무재당하제“희곡유도”지외，연속“전통”、건구“전통”적령일중요도경。
Based on the three styles of Chinese classical dance, the article summarizes the construction and development ofChinese classical dance in the historical perspective, demonstrating that the dancers＇ movements and postures embodies from theportrait stone of Han Dynasty or Dunhuang murals. The article argues that it is the alternative way to inherit and construct the traditionof Chinese classical dance except for the ways of constructing tradition in the perspective of traditional Chinese opera.