北京舞蹈学院学报
北京舞蹈學院學報
북경무도학원학보
Journal of Beijing Dance Academy
2014年
4期
90~93
,共null页
虚实相生 意境 创作
虛實相生 意境 創作
허실상생 의경 창작
false and true ; imagery ; creation
“虚实”概念是中国传统美学与哲学中的重要范畴。从实处落笔,凭虚处传神;从虚处着手,表实处之意,“虚实相生”结构出的是独具中国文化心理的审美“意境”。舞蹈应该如何利用“虚实相生”的创作品格去创造出升腾于舞蹈之上的意象,应该如何扩大舞蹈表达的内核而增强想象与精神的力量?本文以肖苏华于2013年12月创作首演的现代舞剧《白蛇后传--听说爱情回来过》为例,从“以实写虚”到“以虚见实”两个方面来探讨“虚实”生“境”的舞蹈创作方法,期与读者共同探讨分享虚与实、表达与表现等美学问题,及在舞蹈作品创作中建立中国审美认同的重要性。
“虛實”概唸是中國傳統美學與哲學中的重要範疇。從實處落筆,憑虛處傳神;從虛處著手,錶實處之意,“虛實相生”結構齣的是獨具中國文化心理的審美“意境”。舞蹈應該如何利用“虛實相生”的創作品格去創造齣升騰于舞蹈之上的意象,應該如何擴大舞蹈錶達的內覈而增彊想象與精神的力量?本文以肖囌華于2013年12月創作首縯的現代舞劇《白蛇後傳--聽說愛情迴來過》為例,從“以實寫虛”到“以虛見實”兩箇方麵來探討“虛實”生“境”的舞蹈創作方法,期與讀者共同探討分享虛與實、錶達與錶現等美學問題,及在舞蹈作品創作中建立中國審美認同的重要性。
“허실”개념시중국전통미학여철학중적중요범주。종실처락필,빙허처전신;종허처착수,표실처지의,“허실상생”결구출적시독구중국문화심리적심미“의경”。무도응해여하이용“허실상생”적창작품격거창조출승등우무도지상적의상,응해여하확대무도표체적내핵이증강상상여정신적역량?본문이초소화우2013년12월창작수연적현대무극《백사후전--은설애정회래과》위례,종“이실사허”도“이허견실”량개방면래탐토“허실”생“경”적무도창작방법,기여독자공동탐토분향허여실、표체여표현등미학문제,급재무도작품창작중건립중국심미인동적중요성。
The concept of "False and True" is a very important area in Chinese traditionalAesthetics and Philosophy. Start from"True" and achieve vividness through "False" ; start from "False" to express the meaning of "True". What structured by " False andTrue" is a "artistic conception" of unique Chinese cultural psychology. How to create imagery that is higher than the dance by thecreation character of " False and True"; how to expand the core expressed by the dance and moreover to enhance the power ofimagination and spirit? In this paper, methods to create dances is discussed in two aspects, " Expressing False by True" and"Expressing True by False", through referring to the modern dance drama" Sequel of the White Snake Legend" created in December2013 and first performed by Xiao Suhua, hoping to discuss the relationship between expression and performance and the importance ofbuilding the Chinese aesthetic recognition with readers.