CAJ | 학술논문

明代胡应麟的诗学理论是对七子派格调理论的归纳和总结。他的诗歌创作理论体现出“兼容”的特色,主张“体格声调”与“兴象风神”兼容,要求外在的“格调”与诗歌的内在审美风格相结合;提出“法”和“悟”齐备,为兼容“体格声调”和“兴象风神”提供了方法论;又指出“悟”要和“深造”并重,强调了熟习研究前人作品的重要性：这是对七子派的文学复古理论的继承和发展。
명대호응린적시학이론시대칠자파격조이론적귀납화총결。타적시가창작이론체현출“겸용”적특색,주장“체격성조”여“흥상풍신”겸용,요구외재적“격조”여시가적내재심미풍격상결합;제출“법”화“오”제비,위겸용“체격성조”화“흥상풍신”제공료방법론;우지출“오”요화“심조”병중,강조료숙습연구전인작품적중요성：저시대칠자파적문학복고이론적계승화발전。
In the Ming Dynasty, Hu Yinglin＇ s poetry theory is the induction and summary to the theory of poetic style of Qi Zi School. His poetry theory reflects the characteristics of compatibility. He advocated the compatibility of ＂Tige Shengdiao＂ and ＂Xingxiang Fengshen＂. He required the integration of the external style and the intrinsic aesthetic style of poetry. He put forward to the combination of ＂Rule＂ and ＂Comprehension＂, which provided the methodology for the compatibility of ＂Tige Shengdiao＂ and ＂Xingxiang Fengshen＂. He pointed out that we should pay equal attention to ＂Comprehension＂ and ＂Research＂, and emphasized the importance of getting familiar with the predecessors＇ work. This is inheritance and development of the revivalistic theory of literature of Qi Zi School.