社会科学
社會科學
사회과학
Journal of Social Sciences
2014年
10期
175~183
,共null页
艳诗 艳歌 概念衍变 时期划分
豔詩 豔歌 概唸衍變 時期劃分
염시 염가 개념연변 시기화분
Erotic Poem; Erotic Song ; Concept of Evolution ; Thriving Period
艳诗是指以描写女性之美及男女之情为主的一类诗作。艳诗得名于南朝,并常与艳歌混用。艳歌在最初仅具有音乐上的含义,在发展过程中逐渐丰满和清晰其诗作含义,成为定型的艳诗。历代对于艳诗大致存在着三种评价:一因其无益于教化而加以批判;二肯定其艺术价值;三赋予其比兴美刺的内涵并将其纳入儒家诗论体系,总体而言以第一种评价居多。历代艳诗的发展呈现出三次繁盛,分别是南朝期、中晚唐期和明末清初,延绵不绝形成了一条不断衍变的轨迹。艳诗不仅在中国诗歌史中有着独特的价值与意义,对东亚汉诗的发展也产生了较大影响。
豔詩是指以描寫女性之美及男女之情為主的一類詩作。豔詩得名于南朝,併常與豔歌混用。豔歌在最初僅具有音樂上的含義,在髮展過程中逐漸豐滿和清晰其詩作含義,成為定型的豔詩。歷代對于豔詩大緻存在著三種評價:一因其無益于教化而加以批判;二肯定其藝術價值;三賦予其比興美刺的內涵併將其納入儒傢詩論體繫,總體而言以第一種評價居多。歷代豔詩的髮展呈現齣三次繁盛,分彆是南朝期、中晚唐期和明末清初,延綿不絕形成瞭一條不斷衍變的軌跡。豔詩不僅在中國詩歌史中有著獨特的價值與意義,對東亞漢詩的髮展也產生瞭較大影響。
염시시지이묘사녀성지미급남녀지정위주적일류시작。염시득명우남조,병상여염가혼용。염가재최초부구유음악상적함의,재발전과정중축점봉만화청석기시작함의,성위정형적염시。역대대우염시대치존재착삼충평개:일인기무익우교화이가이비판;이긍정기예술개치;삼부여기비흥미자적내함병장기납입유가시론체계,총체이언이제일충평개거다。역대염시적발전정현출삼차번성,분별시남조기、중만당기화명말청초,연면불절형성료일조불단연변적궤적。염시불부재중국시가사중유착독특적개치여의의,대동아한시적발전야산생료교대영향。
Erotic Amorous poem is the one that defined as describing women's beauty or expressinglove in male and female. Amorous poem was first named in Southem Dynasties, and always confused bythe concept "amorous song". In the beginning amorous song was only named by its musical aspect, whilethe aspect of content was possessed gradually. There were approximately three appraisals to amorous poemin past dynasties: 1. Criticism because of its inutility to education. 2. Affirmative opinions due to itsartistic value. 3. It was endowed with the connotation of "Bi xing" and" Mei el" and brought into thesystem of Confucian poetic, and the first one was dominant in quantity. There were three thriving periodsof amorous poem during its developing history: Southern Dynasties, Mid and Late Tang Dynasity, MidMing to Late Qing Dynasty. Erotic poem had formed a locus of development and evolvement itself, itsvalue and significance in Chinese history of poetry should be recognized.