CAJ | 학술논문

文章从非物质文化遗产保护的视角探讨了西藏民间美术的保护对象、原则及模式.西藏民间美术要保护的对象包括历史上的民间美术作品、现实中的民间美术生存环境、代表性民间艺人以及艺人所掌握的思想观念和手工技艺.在保护过程中应把握原生态文化保护原则和民众主导原则,可探索以生态博物馆、文化产业园、家庭手工坊相结合的模式开展保护工作,以有利于西藏民间美术的可持续发展.
문장종비물질문화유산보호적시각탐토료서장민간미술적보호대상、원칙급모식.서장민간미술요보호적대상포괄역사상적민간미술작품、현실중적민간미술생존배경、대표성민간예인이급예인소장악적사상관념화수공기예.재보호과정중응파악원생태문화보호원칙화민음주도원칙,가탐색이생태박물관、문화산업완、가정수공방상결합적모식개전보호공작,이유리우서장민간미술적가지속발전.
This thesis discusses the protected object,principle and pattern of Tibetan folk arts from the prospective of protecting the intangible cultural heritage. The protected objects of Tibetan folk arts in- clude works of folk arts in the past,the living environment folk arts in the reality, cross- sectional folk artist and their ideas and skills. Basing on the principles of protecting the original ecology of culture and dominating by the people, and carrying out the work on the basis of the pattern of combinging ecomuseum,cuhural industry park,and family hand- made workshop together,would be beneficial to the sustainable development of Tibetan folk arts.