南开学报:哲学社会科学版
南開學報:哲學社會科學版
남개학보:철학사회과학판
Nankai Journal
2014年
6期
34~39
,共null页
歌词 “概念对喻” 标出性 性别文化
歌詞 “概唸對喻” 標齣性 性彆文化
가사 “개념대유” 표출성 성별문화
Lyrics; Analogical Metaphors; Markedness; Gender Culture
“概念对喻”是一种常用修辞方式,它指两个有对照意义的形象各自生发出比喻,形成参照对比。汉语的特点,使“概念对喻”在汉语文学作品中特别明显;由于歌词的特殊呼应结构,“概念对喻”在歌曲中难以避免;而歌曲中性别主题之重要,使歌词中的概念比喻成为性别文化的表征。从中国几千年来的歌词中的性别“概念对喻”之丰富,可以看出中国文化的基础性原型思想。概念比喻双方的偏边现象,带有强烈的性别文化标出性,而近年在中国歌词中的“概念对喻”中出现的标出性翻转,是中国当代性别文化转向的重要表征。
“概唸對喻”是一種常用脩辭方式,它指兩箇有對照意義的形象各自生髮齣比喻,形成參照對比。漢語的特點,使“概唸對喻”在漢語文學作品中特彆明顯;由于歌詞的特殊呼應結構,“概唸對喻”在歌麯中難以避免;而歌麯中性彆主題之重要,使歌詞中的概唸比喻成為性彆文化的錶徵。從中國幾韆年來的歌詞中的性彆“概唸對喻”之豐富,可以看齣中國文化的基礎性原型思想。概唸比喻雙方的偏邊現象,帶有彊烈的性彆文化標齣性,而近年在中國歌詞中的“概唸對喻”中齣現的標齣性翻轉,是中國噹代性彆文化轉嚮的重要錶徵。
“개념대유”시일충상용수사방식,타지량개유대조의의적형상각자생발출비유,형성삼조대비。한어적특점,사“개념대유”재한어문학작품중특별명현;유우가사적특수호응결구,“개념대유”재가곡중난이피면;이가곡중성별주제지중요,사가사중적개념비유성위성별문화적표정。종중국궤천년래적가사중적성별“개념대유”지봉부,가이간출중국문화적기출성원형사상。개념비유쌍방적편변현상,대유강렬적성별문화표출성,이근년재중국가사중적“개념대유”중출현적표출성번전,시중국당대성별문화전향적중요표정。
"Analogical metaphors" are commonly used rhetorical devices in which two analogical images may form a metaphor respectively, and the two resulting metaphors may form an analogy of their own. The special features of Chinese language make it possible for analogical metaphors to have a very significant presence in Chinese literature. Be- cause of the special coordinating structure in songs, analogical metaphors are indispensable parts in songs. What is more, because of the frequent presence of the themes of gender in songs, analogical metaphors have become embodiments of gender culture. From the rich variety of gender analogical metaphors in the several thousand years' Chinese songs we can see the fundamental archetypal beliefs in Chinese literature. The partial emphasis on a certain metaphor in analogical metaphors is a strong indication of marked gender culture. The reversion of the partial emphasis in analogical metaphors in recent Chinese songs is an important indication of the changes of gender culture in current China.