CAJ | 학술논문

中国穿越题材影视剧创作存在值得警惕的局限：因为缺乏科幻精神和科幻氛围,极少有穿越未来的作品;热衷于翻拍,显示编导原创能力萎缩;从整体结构到细节、从情节设置到人物性格刻画、从部分场景到局部画面都存在大量复制,致使穿越剧呈现模式化、低俗化倾向;颠覆、改写历史可能导致＂娱乐至死＂。中国穿越剧作为对现代性的另类体验,要突破这些局限,就必须蕴含审美意蕴、伦理价值和终极意义,而不是成为纯粹供观众消遣或者猎奇的工具。
중국천월제재영시극창작존재치득경척적국한：인위결핍과환정신화과환분위,겁소유천월미래적작품;열충우번박,현시편도원창능력위축;종정체결구도세절、종정절설치도인물성격각화、종부분장경도국부화면도존재대량복제,치사천월극정현모식화、저속화경향;전복、개사역사가능도치＂오악지사＂。중국천월극작위대현대성적령류체험,요돌파저사국한,취필수온함심미의온、윤리개치화종겁의의,이불시성위순수공관음소견혹자작기적공구。
The vigilant limitations exist in the creation of Chinese time-travel＇s films and teleplays. Because of the lack of science fiction spirit and science fiction atmosphere,the crossing future works are very few; directors are keening on remake,which reflects their gradually atrophied creative ability; a large quantity of replication show a tendency of modelization and vulgarization; subverting and rewriting history may lead to ＂Entertainment to Death＂.As a kind of offbeat modernity experience,Chinese time-travel＇s films and teleplays must break through these limitations,and should contain aesthetic implication,ethical values and ultimate meaning,rather than become a pure tool for entertaining audiences.