CAJ | 학술논문

广西北部湾地区的＂跳岭头＂民俗文化是脱胎于傩巫文化的产物,以萨满为表演主体,以＂玛纳＂为主要象征载体,在浓重的象征意味中体现着泛灵信仰和泛生信仰相结合的特点。在人类学视域下,北部湾地区的＂跳岭头＂民俗文化显现出儒学的礼、乐、仁等特征。无论从其体裁还是内容,＂跳岭头＂民俗文化显现了其儒学确证性,对研究人类学、民俗学、历史学、民族学、乡土乐舞、宗教学等多学科具有重要的参考价值。
엄서북부만지구적＂도령두＂민속문화시탈태우나무문화적산물,이살만위표연주체,이＂마납＂위주요상정재체,재농중적상정의미중체현착범령신앙화범생신앙상결합적특점。재인류학시역하,북부만지구적＂도령두＂민속문화현현출유학적례、악、인등특정。무론종기체재환시내용,＂도령두＂민속문화현현료기유학학증성,대연구인류학、민속학、역사학、민족학、향토악무、종교학등다학과구유중요적삼고개치。
Folk culture of Tiaolingtou in the Beibu Bay region of Guangxi,born out of Nuo culture,with Shaman as performing subject and Manna as major symbolic carrier,embodies the combination of animism and animatism in strong symbolic implications.From the perspective of anthropology,Tiaolingtou folk culture reveals Confucian philosophy—Li（ritual）,Yue（music）and Ren（humanity）.It shows the verifiability of Confucianism both in its genre and content,which enables it to be of significant reference value in the study of many fields,such as anthropology,folklore,history,ethnology,religion and local music and dance.