CAJ | 학술논문

《战将》的编剧最大限度地保证了主人公韩先楚始终处于剧作矛盾冲突的中心，以人带史，纲举目张，在真实再现各个历史时期、各个重要历史事件的同时，保持了最大限度的自由发挥空间。正因为编剧大胆地采用了这样的人物关系结构方式，才使得全剧情节高度紧凑，人物戏剧冲突密集合理，保证了战史史实及主人公战斗成长人生轨迹的真实性。
《전장》적편극최대한도지보증료주인공한선초시종처우극작모순충돌적중심，이인대사，강거목장，재진실재현각개역사시기、각개중요역사사건적동시，보지료최대한도적자유발휘공간。정인위편극대담지채용료저양적인물관계결구방식，재사득전극정절고도긴주，인물희극충돌밀집합리，보증료전사사실급주인공전두성장인생궤적적진실성。
The screenwriter ofWarrior manages to maintain Han Xianchu, the hero in the play, always in the center of the drama conflict. While vividly representing all the historical periods and events, the play saves the maximum space for free performance. Owing to this daring structural mode of character relation, the whole play shows an extremely tense plot as well as a reasonably dense drama conflict to guarantee the authenticity of the war history and the hero’s life story.