CAJ | 학술논문

老挝国内的族群复杂，虽然处于主体地位的佬泰族群的民间音乐受泰国民间音乐的影响颇深，但是拥有众多中老跨界民族的苗瑶等族群仍然保留着固有的民族音乐特色。从具备跨界民族的音乐研究意义的角度来看，中老跨界民族涉及10组对应关系。通过已有的中国、老挝和其他国家三方面的中老跨界民族音乐资料之间的关联比照，可以得出苗-赫蒙和克木人（族）等中老跨界民族音乐在中、老两国境内仍然保留着同根同源的音乐文化特征，但同时也出现了相异的变化。中老跨界民族音乐的研究进一步拓展了中国少数民族音乐文化的研究。
로과국내적족군복잡，수연처우주체지위적료태족군적민간음악수태국민간음악적영향파심，단시옹유음다중로과계민족적묘요등족군잉연보류착고유적민족음악특색。종구비과계민족적음악연구의의적각도래간，중로과계민족섭급10조대응관계。통과이유적중국、로과화기타국가삼방면적중로과계민족음악자료지간적관련비조，가이득출묘-혁몽화극목인（족）등중로과계민족음악재중、로량국경내잉연보류착동근동원적음악문화특정，단동시야출현료상이적변화。중로과계민족음악적연구진일보탁전료중국소수민족음악문화적연구。
In the various Laos ethnic groups, although the ethnic majority’s folk music is influenced by Thailand folk music deeply, the cross-border ethnic groups between China and Laos, like Miao and Yao, are still reserve their traditional music features. Ten pairs of the cross-border ethnic groups between China and Laos ought to be studied on their traditional music relationship. After comparing and analyzing the existing related research results from China, Laos and international, it is revealed that the cross-border ethnic groups between China and Laos, including Hmong and Khmu, still have the same musical features, yet on the other hand have developed different musical transformation. These findings expand the research of Chinese ethnic minority music.