辽宁师范大学学报:社会科学版
遼寧師範大學學報:社會科學版
료녕사범대학학보:사회과학판
Journal of Liaoning Normal University(Social Science Edition)
2015年
1期
93~97
,共null页
刘勰 文心雕龙 文采 儒家思想
劉勰 文心彫龍 文採 儒傢思想
류협 문심조룡 문채 유가사상
Liu Xie;Wen Xin Diao Long,literary talent;Confucianism
刘勰在《文心雕龙·序志》篇中描写的两个梦,正是他的两个愿望,反映了他写作《文心雕龙》的两个目的。一个是为文重视文采的愿望理想,一个是追随孔子的自豪之情。因此《文心雕龙》处处反映出以儒家思想为统领的文艺观,无论其写作的动机、全书的结构,还是其评论的标准,都是对儒家"树德"理想的实现。在"树德"的基础之上,通过"建言"形成了其文采的理论,这就是《情采》篇中所说的"形文"、"声文"和"情文",认为"五色杂而成黼黻,五音比而成韶夏,五情发而为辞章",既强调对文章的修饰和润色,又强调情感对文章的作用。刘勰以此成就了魏晋南北朝时期文论的成熟和繁盛。
劉勰在《文心彫龍·序誌》篇中描寫的兩箇夢,正是他的兩箇願望,反映瞭他寫作《文心彫龍》的兩箇目的。一箇是為文重視文採的願望理想,一箇是追隨孔子的自豪之情。因此《文心彫龍》處處反映齣以儒傢思想為統領的文藝觀,無論其寫作的動機、全書的結構,還是其評論的標準,都是對儒傢"樹德"理想的實現。在"樹德"的基礎之上,通過"建言"形成瞭其文採的理論,這就是《情採》篇中所說的"形文"、"聲文"和"情文",認為"五色雜而成黼黻,五音比而成韶夏,五情髮而為辭章",既彊調對文章的脩飾和潤色,又彊調情感對文章的作用。劉勰以此成就瞭魏晉南北朝時期文論的成熟和繁盛。
류협재《문심조룡·서지》편중묘사적량개몽,정시타적량개원망,반영료타사작《문심조룡》적량개목적。일개시위문중시문채적원망이상,일개시추수공자적자호지정。인차《문심조룡》처처반영출이유가사상위통령적문예관,무론기사작적동궤、전서적결구,환시기평론적표준,도시대유가"수덕"이상적실현。재"수덕"적기출지상,통과"건언"형성료기문채적이론,저취시《정채》편중소설적"형문"、"성문"화"정문",인위"오색잡이성보불,오음비이성소하,오정발이위사장",기강조대문장적수식화윤색,우강조정감대문장적작용。류협이차성취료위진남북조시기문론적성숙화번성。
The two dreams described in Liu Xie's The Preface of Wen Xin Diao Long just are his two wishes, reflects his two writing purposes of Wen Xin Diao Long. One is the desire for literary attention, and the other is the pride of following Confucius. Therefore, Wen Xin Diao Long reflect literary and art view in all respects based on Confucianism. Regardless of the writing motives, the book structure, or the review standards are realization on the Confucian "shuter" ideal. On the basis of the "shuter", the writer forms the literary theory through the "advice", which is the "shape essay", "sound essay" and "love essay" said in the article of Qing Cai , which thinks "five color blending to be pleasing beautiful, five tune applying to be melodious rhythm, five love expressing to be beautiful art". It emphasizes on the modifi- cation and embellishment, and emphasizes the function of article to emotion. Since then, Liu Xie contributes to the maturity and prosperity of literary theory in Wei Jin and Northern and Southern Dynasties.