CAJ | 학술논문

芭蕾舞剧《红色娘子军》不仅仅在于舞蹈家们对艺术本身的追求,还在于它产生的特殊年代和政治文化等诸多因素。本文试图回归产生这一舞剧的政治文化视野,从作者个体文化经验入手,来梳理分析20世纪60年代中国艺术家创作这一芭蕾舞剧时,外部社会环境与内部精神世界之间的关系,从而还原其历史风貌。
파뢰무극《홍색낭자군》불부부재우무도가문대예술본신적추구,환재우타산생적특수년대화정치문화등제다인소。본문시도회귀산생저일무극적정치문화시야,종작자개체문화경험입수,래소리분석20세기60년대중국예술가창작저일파뢰무극시,외부사회배경여내부정신세계지간적관계,종이환원기역사풍모。
As a contemporary Chinese outstanding ballet, Red Detachment of Women not only shows Chinese dancer＇ s and choreographer＇s talents in 1960＇ s, but also provides a clue to recall and explore the contemporary Chinese history. Based on the personal experience and quantity of historical details on this play, the author dialectically analyzes the patriotic feelings, the complex creating process of ballet and its political character rooted in social circumstance of 1960＇ s.