CAJ | 학술논문

形象学从比较文学中异国形象的研究发展而来，其在比较文学中界定的研究范畴主要是“对异国形象或描述的研究”。不过形象本身是一个更具普适化的概念，在当代传媒社会中更远远超出文学艺术中的“异国形象”范畴。在符号学视域下，形象作为“符号印象感知”的界定指向一个更具宏阔的形象意涵。此一意涵的廓清提供了“普适形象学”的基础，而普适的当下意义，是形象问题已经转变为基于当代传媒文化的广义文学文本中一种有关符号印象的形式规律研究，其对象涵涉社会文化中一切可作为独立对象的认知单元。
형상학종비교문학중이국형상적연구발전이래，기재비교문학중계정적연구범주주요시“대이국형상혹묘술적연구”。불과형상본신시일개경구보괄화적개념，재당대전매사회중경원원초출문학예술중적“이국형상”범주。재부호학시역하，형상작위“부호인상감지”적계정지향일개경구굉활적형상의함。차일의함적곽청제공료“보괄형상학”적기출，이보괄적당하의의，시형상문제이경전변위기우당대전매문화적엄의문학문본중일충유관부호인상적형식규률연구，기대상함섭사회문화중일절가작위독립대상적인지단원。
Imagology originated from Comparative Literature.It mostly explores the exotic figure and image in literary works.Over nearly a century,image has become a universal concept,which,in today？s media society,has far exceeded the category of exotic image as depicted in literature and arts. From the perspective of Semiotics,the paper attempts to look into a kind of universal imagology, which,the paper proposes,should be applied to today？s text,not only literature but also all types of mass media contexts of independent social subj ects.