CAJ | 학술논문

《呐喊》与《彷徨》的创作主题,并不是学界原先所阐释的那样,被理解为攻击儒学＂礼教＂,而是通过一系列形象化的故事叙事,深刻地揭示文化个体与文化共同体之间关系的错综复杂性。鲁迅从＂孤独者＂与＂狼子村＂的思想对峙中,发现了构成乡土中国文化＂长明灯＂的历史原因：＂庸众＂与＂庸俗＂作为乡土中国的强大势力,一直都在以其强大的社会存在,与作为精英意识的儒学礼教形成对抗。因此在鲁迅个人看来,＂庸俗＂与＂礼教＂是截然对立的两个概念,反＂传统＂的重点也应首先放在反＂庸俗＂方面,这才是《呐喊》与《彷徨》改造＂国民性＂思想的真实表达。
《눌함》여《방황》적창작주제,병불시학계원선소천석적나양,피리해위공격유학＂례교＂,이시통과일계렬형상화적고사서사,심각지게시문화개체여문화공동체지간관계적착종복잡성。로신종＂고독자＂여＂랑자촌＂적사상대치중,발현료구성향토중국문화＂장명등＂적역사원인：＂용음＂여＂용속＂작위향토중국적강대세력,일직도재이기강대적사회존재,여작위정영의식적유학례교형성대항。인차재로신개인간래,＂용속＂여＂례교＂시절연대립적량개개념,반＂전통＂적중점야응수선방재반＂용속＂방면,저재시《눌함》여《방황》개조＂국민성＂사상적진실표체。
The themes of Lu Xun＇ s novels Screamingand Hesitation are not to attack ＂Confucianism ＂as was interpreted by previous literary researchers,but to reveal the complexity of the relationship between cultural individual and cultural community through a series of vivid stories.Lu Xun has found the historical reasons for ＂altar lamps＂ of the Chinese local cultures from the mental confrontations between ＂solitaries＂ and ＂wolf village＂：＂vulgarity＂ and ＂mediocre mass＂,as strong forces in Chinese countryside,have been defying the so-called elite ＂Confucianism＂.In Lu Xun＇ s eyes,since ＂vulgarity＂ and ＂Confucianism ＂ are two confronting concepts,anti-tradition should focus on anti-vulgarity,which is what ＂reforming national characters＂ really means in Screamingand Hesitation.