CAJ | 학술논문

20世纪70年代末至80年代中期,被中国学术理论界淡忘已久的马克思主义美学回归文学界。在马克思主义美学观的指导和影响下,中国文学理论研究的审美走向可概括为：在文学批评中,实现了美学标准与历史标准的回归;在对文学与生活关系的认识上,实现了从哲学反映论向审美反映论的过渡,突出了文学的审美本性和情感特点;在文学本质的界定中,实现了从社会意识形态论向审美意识形态论的转型,这一方面是从美学角度审视文学本质的必然结果,另一方面是对文学意识形态特性认识深化的结果。
20세기70년대말지80년대중기,피중국학술이론계담망이구적마극사주의미학회귀문학계。재마극사주의미학관적지도화영향하,중국문학이론연구적심미주향가개괄위：재문학비평중,실현료미학표준여역사표준적회귀;재대문학여생활관계적인식상,실현료종철학반영론향심미반영론적과도,돌출료문학적심미본성화정감특점;재문학본질적계정중,실현료종사회의식형태론향심미의식형태론적전형,저일방면시종미학각도심시문학본질적필연결과,령일방면시대문학의식형태특성인식심화적결과。
Marxist aesthetics returns to the literary circle in the late 1970 sand mid-1980 s in China.Guided and influenced by Marxist view of aesthetics,aesthetics turning occurs in China＇s literary theory studies.In literary criticism,the return of aesthetic standards and historical standards makes them widely applied in modern and contemporary Chinese literary studies and reviews;In the cognition of the literature-life relationship,philosophical reflection transits to aesthetic reflection,stressing the aesthetic nature and emotional character of literature;In the definition of literature itself,social ideology transforms to aesthetic one,which is on one hand due to the inevitable result of viewing literature nature from the angle of aesthetics,on the other hand,the result of deepening the understanding of the characteristics of literature ideology.