安徽农业大学学报：社会科学版
安徽農業大學學報：社會科學版
안휘농업대학학보：사회과학판
Journal of Anhui Agricultural University（Philosophy & Social Sciences Edition)
2015年
1期
110~115
,共null页
废名诗歌 袈裟 “公案式”思维 佛家经典意象
廢名詩歌 袈裟 “公案式”思維 彿傢經典意象
폐명시가 가사 “공안식”사유 불가경전의상
Feiming＇s poetry; the cassock;Zen＇s way of the thinking; the Buddhist classical dense images
废名诗歌传统与现代的艺术特色,在现代诗歌史上独树一帜。废名诗歌以传统和现代结合的艺术特征主要表现在：对温（庭筠）李（商隐）诗词传统的继承,承续了晚唐诗歌风格,也转化和指向了对荒诞现实世界的指认;用禅宗“公案式”思维结构诗歌,披上了佛家顿悟和哲思的袈裟,也转化和指向了现代人的虚无和寂寞;选择繁密的佛家经典意象,营建了一个参禅悟道的集合生成的意象群,也转化和指向了现代派的唯美—颓废。废名用传统的方式表达了现代人的感受,其传统“袈裟”外衣下包裹着的是现代人的孤独和寂寞。
廢名詩歌傳統與現代的藝術特色,在現代詩歌史上獨樹一幟。廢名詩歌以傳統和現代結閤的藝術特徵主要錶現在：對溫（庭筠）李（商隱）詩詞傳統的繼承,承續瞭晚唐詩歌風格,也轉化和指嚮瞭對荒誕現實世界的指認;用禪宗“公案式”思維結構詩歌,披上瞭彿傢頓悟和哲思的袈裟,也轉化和指嚮瞭現代人的虛無和寂寞;選擇繁密的彿傢經典意象,營建瞭一箇參禪悟道的集閤生成的意象群,也轉化和指嚮瞭現代派的唯美—頹廢。廢名用傳統的方式錶達瞭現代人的感受,其傳統“袈裟”外衣下包裹著的是現代人的孤獨和寂寞。
폐명시가전통여현대적예술특색,재현대시가사상독수일치。폐명시가이전통화현대결합적예술특정주요표현재：대온（정균）리（상은）시사전통적계승,승속료만당시가풍격,야전화화지향료대황탄현실세계적지인;용선종“공안식”사유결구시가,피상료불가돈오화철사적가사,야전화화지향료현대인적허무화적막;선택번밀적불가경전의상,영건료일개삼선오도적집합생성적의상군,야전화화지향료현대파적유미—퇴폐。폐명용전통적방식표체료현대인적감수,기전통“가사”외의하포과착적시현대인적고독화적막。
In the history of modern poetry, Feiming＇ s poetry is definitely a unique existence. The traditional and modern artistic features of Feiming＇ s poetry are mainly embodied in the following aspects： Feiming＇s poetry carries on Li Shangyin and Wen Tingyun＇s poetic tradition, inherits the late Tang Dynasty poetry style, and points out the ahsurdity of the real world. Adopting Zen＇s thinking way, Feiming＇s poetry not only has the characteristics of Buddhist insight, but also expresses the modern emptiness and loneliness. The Buddhist classical images not only creates a group of Zen enlightenment images, but also transforms and points to the modern aesthetic, that is, decadence. Feiming expresses the modernist art pursuit through the traditional way in his poetry, and reveals the modern people＇s loneliness and solitude which is hidden under the traditional cassock.
