戏剧艺术
戲劇藝術
희극예술
Theatre Arts
2015年
1期
84~91
,共null页
清中叶 扬州曲家 乾嘉朴学思潮 花雅之争 “崇元”倾向
清中葉 颺州麯傢 乾嘉樸學思潮 花雅之爭 “崇元”傾嚮
청중협 양주곡가 건가박학사조 화아지쟁 “숭원”경향
Mid-Qing Dynasty, playwrights in Yangzhou, ideological trend of down-to-earth learning in the times of Emperors Qianlong and Jiaqing, disputes between Peking Opera, together with some other Local Operas and Kunqu, inclination of ＂Worshiping Yuanqu＂
因姻亲、学缘等关系，清中叶扬州曲家焦循、凌廷堪、李斗、黄文呖等戏曲观念趋同．表现出鲜明的“崇元”倾向。针对当时曲家以史传之笔写戏、湮没戏曲本体的创作现象，他们以元人本色理论相号召，主张传奇创作要重视戏曲的搬演特性，恢复元曲的审美特征；以为元曲是中国古典戏曲的典范，后人无法超越，并以之为圭臬来评判传奇史上的大家，因此矫枉过正，直接影响其戏曲成就的取得。
因姻親、學緣等關繫，清中葉颺州麯傢焦循、凌廷堪、李鬥、黃文嚦等戲麯觀唸趨同．錶現齣鮮明的“崇元”傾嚮。針對噹時麯傢以史傳之筆寫戲、湮沒戲麯本體的創作現象，他們以元人本色理論相號召，主張傳奇創作要重視戲麯的搬縯特性，恢複元麯的審美特徵；以為元麯是中國古典戲麯的典範，後人無法超越，併以之為圭臬來評判傳奇史上的大傢，因此矯枉過正，直接影響其戲麯成就的取得。
인인친、학연등관계，청중협양주곡가초순、릉정감、리두、황문력등희곡관념추동．표현출선명적“숭원”경향。침대당시곡가이사전지필사희、인몰희곡본체적창작현상，타문이원인본색이론상호소，주장전기창작요중시희곡적반연특성，회복원곡적심미특정；이위원곡시중국고전희곡적전범，후인무법초월，병이지위규얼래평판전기사상적대가，인차교왕과정，직접영향기희곡성취적취득。
Due to the marital and academic affinities, playwrights in Yangzhou during the Mid-Qing Dynasty such as Jiao Xun, Ling Tingkan, Li Dou and Huang Wcuyang came to agreement on dramatic aesthetics, which resulted in an inclination of worshiping Yuanqu. Standing against the contemporary dramatic trend of producing dramas as histories and neglecting the dramatic aesthetics, they called for the restoration of the aesthetics of Yuanqu which stressed the theatrical qualities of the plays. They took Yuanqu as the golden criteria and the highest achievements in the field of drama and thus bound themselves by overemphasizing its qualities.
