CAJ | 학술논문

在知识社会学维度上，《闲情偶寄》彰显出一股社会新气息，它不仅是明末清初社会崇真尚实的民主思想、市民阶层休闲文化消费、官绅日益膨胀的奢华美学思想以及南方商品经济发展的产物．还是市民阶层抵制理学、提倡人文精神的产物。它已然超越它的知识本身，文本中诸多审美范畴被清代及后世消费文学频繁援引，也被译为多种语言而传播于海外。它被发现或未被阐释的知识俨然成为明清社会更迭期的“晴雨表”，作品所传递的知识语用学亦呈现出被信赖与宽容的世界性知识存在。
재지식사회학유도상，《한정우기》창현출일고사회신기식，타불부시명말청초사회숭진상실적민주사상、시민계층휴한문화소비、관신일익팽창적사화미학사상이급남방상품경제발전적산물．환시시민계층저제이학、제창인문정신적산물。타이연초월타적지식본신，문본중제다심미범주피청대급후세소비문학빈번원인，야피역위다충어언이전파우해외。타피발현혹미피천석적지식엄연성위명청사회경질기적“청우표”，작품소전체적지식어용학역정현출피신뢰여관용적세계성지식존재。
From the perspective of sociology of knowledge, Xian Qing Ou Ji （a work of dramatic theories） reflects new trends in its society. It is the fruit of the late Ming Dynasty and the early Qing Dynasty, an age that witnessed the realistic worship of democratic thoughts, the consumerism of the leisurely common people＇s culture, the burgeoning luxury aesthetics of the gentry stratum, and the development of commodity economy. It is also the product of the common people＇s class in pursuit of humanism against the Li school of Confucianism. Some aesthetic notions from the work have reached out to the consumerist literature of the Qing Dynasty and the times after, as well as spreading overseas in various languages. The work is a ＂narrator＂ in a time of succession in the late Ming and early Qing Dynasties, with its knowledge discovered but not yet interpreted. The pragmatics of knowledge conveyed in the work is a demonstration of the existence of universal knowledge that is trusted and accepted.