复旦学报:社会科学版
複旦學報:社會科學版
복단학보:사회과학판
Fudan Journal(Social Sciences Edition)
2015年
1期
36~43
,共null页
环境美学 生态转向 身体转向 空间转向
環境美學 生態轉嚮 身體轉嚮 空間轉嚮
배경미학 생태전향 신체전향 공간전향
environmental aesthetics; ecological turn; soma turn; spatial turn
环境美学将美学研究的对象和范围从艺术转向艺术以外的环境以及环境之中的各种事物,提出并论证了新型的环境观、美学观及各种环境审美欣赏与审美体验模式。环境不仅是常识意义上的物理环境,而且也是被人知觉到的环境格式塔;美学不仅是美的哲学,而且也是审美欣赏理论与审美体验理论;恰当而审美地欣赏环境,需要恰当的欣赏模式。美学与环境之间的关系比以往任何时候都更加密切:环境扩大了美学的研究领域,美学则促成了一种新型的环境观。这种环境观的主旨在于克服人与环境的二元对立,倡导人与环境之间的和谐共存。环境美学隐含着三重富有美学史意义的重要转向:美学的生态转向、身体转向和空间转向。
環境美學將美學研究的對象和範圍從藝術轉嚮藝術以外的環境以及環境之中的各種事物,提齣併論證瞭新型的環境觀、美學觀及各種環境審美訢賞與審美體驗模式。環境不僅是常識意義上的物理環境,而且也是被人知覺到的環境格式塔;美學不僅是美的哲學,而且也是審美訢賞理論與審美體驗理論;恰噹而審美地訢賞環境,需要恰噹的訢賞模式。美學與環境之間的關繫比以往任何時候都更加密切:環境擴大瞭美學的研究領域,美學則促成瞭一種新型的環境觀。這種環境觀的主旨在于剋服人與環境的二元對立,倡導人與環境之間的和諧共存。環境美學隱含著三重富有美學史意義的重要轉嚮:美學的生態轉嚮、身體轉嚮和空間轉嚮。
배경미학장미학연구적대상화범위종예술전향예술이외적배경이급배경지중적각충사물,제출병론증료신형적배경관、미학관급각충배경심미흔상여심미체험모식。배경불부시상식의의상적물리배경,이차야시피인지각도적배경격식탑;미학불부시미적철학,이차야시심미흔상이론여심미체험이론;흡당이심미지흔상배경,수요흡당적흔상모식。미학여배경지간적관계비이왕임하시후도경가밀절:배경확대료미학적연구영역,미학칙촉성료일충신형적배경관。저충배경관적주지재우극복인여배경적이원대립,창도인여배경지간적화해공존。배경미학은함착삼중부유미학사의의적중요전향:미학적생태전향、신체전향화공간전향。
By the enlargement of subject matter and scope of aesthetics from art to environment and object in environment beyond art,environmental aesthetics proposes and justifies a new conception of environment,a new conception of aesthetics and various kinds of models of environmental appreciation and environmental aesthetic experience. Environment is not only physical surroundings or setting in its common sense,but also environmental Gestalt perceived by human agent; Aesthetics is not only the philosophy of beauty,but also the theories of aesthetic appreciation and experience. To appreciate environments appropriately and aesthetically needs proper models of aesthetic appreciation. The relationship between aesthetics and environment becomes closer today because environment enlarges the research field of aesthetics and aesthetics in turn promotes a new type of conception of environment,which show an effort to overcome the dualism of man-environment and advocates the harmonious co-existence of man and environment. There are three turns implied in environmental aesthetics: ecological turn,soma turn and spatial turn.