CAJ | 학술논문

紫阳北五省会馆壁画是陕西境内目前发现的最大的一处建筑壁画，为对其进行科学的保护修复，采用超景深三维视频显微系统、x一射线衍射、扫描电镜能谱、红外光谱相结合的方法对壁画制作材料及工艺进行了分析研究。结果表明，北五省会馆地仗的制作工艺完全符合传统壁画的工艺，较为细致，考究。在墙体上使用两层粗泥打底，一层细泥找平，再涂刷一层高岭土作为白粉层，最后进行绘画。制作材料的选择符合就地取材的原则。
자양북오성회관벽화시협서경내목전발현적최대적일처건축벽화，위대기진행과학적보호수복，채용초경심삼유시빈현미계통、x일사선연사、소묘전경능보、홍외광보상결합적방법대벽화제작재료급공예진행료분석연구。결과표명，북오성회관지장적제작공예완전부합전통벽화적공예，교위세치，고구。재장체상사용량층조니타저，일층세니조평，재도쇄일층고령토작위백분층，최후진행회화。제작재료적선택부합취지취재적원칙。
The painting in the Assembly Hall of Five Northern Provinces is the largest house painting discovered in Shaanxi Province to date. In order to scientifically preserve and restore the painting, optical microscopy, x-ray diffraction, Raman spectroscopy, infrared Fourier transform spectroscopy and scanning electron microscopy with an attached energy-dispersive spectrometer （SEM-EDS） were combined to analyze its material composition and painting technique. The resuks show that the making of the mural involved four steps： plastering the walls with two coarse layers made of clay, sand, and rice straw; smoothing the plaster with a layer of mixed lime, clay, sand, and cotton; preparing the ground layer with a layer of kaolin; and finally, painting on top of the foundatio＇nal surface layer. This paper finds that the selection of materials corresponds to the principle of using local resources.