CAJ | 학술논문

以“香港功夫电影何以走向世界”为逻辑起点，从美学、人类学视角出发，探讨其在解决地区电影“民族性”和“世界性”问题时所具有的审美特质。研究认为，香港功夫电影具有历史审美和暴力审美特征：①历史审美是香港功夫电影独特历史条件下的产物，对阐释香港地区电影发展“民族性”至关重要；②暴力审美是功夫电影最为显著的特征。以武术技击所产生的暴力意象为基础，表现出两种审美倾向：一种是对暴力形式的追求，使得功夫电影愈发形式化、舞蹈化，为当今银幕上的武舞，暴力意象被弱化；一种是对暴力内容的追求，功夫电影披上道德、神性的外衣，暴力行为更加直白有力，暴力意象被凸显。在当前两岸三地合拍趋势下，以岭南地域文化（历史审美）为背景，以武术技击（暴力审美）为内容的功夫呈现范式，不仅有利于功夫电影的健康良性发展，也有利于中国传统武术文化的传播与国家形象的塑造。
이“향항공부전영하이주향세계”위라집기점，종미학、인류학시각출발，탐토기재해결지구전영“민족성”화“세계성”문제시소구유적심미특질。연구인위，향항공부전영구유역사심미화폭력심미특정：①역사심미시향항공부전영독특역사조건하적산물，대천석향항지구전영발전“민족성”지관중요；②폭력심미시공부전영최위현저적특정。이무술기격소산생적폭력의상위기출，표현출량충심미경향：일충시대폭력형식적추구，사득공부전영유발형식화、무도화，위당금은막상적무무，폭력의상피약화；일충시대폭력내용적추구，공부전영피상도덕、신성적외의，폭역행위경가직백유력，폭력의상피철현。재당전량안삼지합박추세하，이령남지역문화（역사심미）위배경，이무술기격（폭력심미）위내용적공부정현범식，불부유리우공부전영적건강량성발전，야유리우중국전통무술문화적전파여국가형상적소조。
Taking the topic of ＂how Hongkong Kung Fu movie goes to the world＂ as the logical starting point, from the perspective of aesthetic anthropology, the paper explores its aesthetic characteristics in helping regional films. Research proposes that Hongkong Kung Fu movies have historical aesthetics and violence aesthetics features.. 1） historical aesthet- ics is a product of Hongkong Kung Fu movie under the specific historical conditions and it is crucial to explain ＂national character＂ of cinema in Hongkong area; 2） violence aesthetics is the most significant characteristic of the Kung Fu movie. The violent imagery of Wushu is generated as the foundation and two aesthetic tendencies are shown. One is the form of violence pursuit and the violent image of the Kung Fu movies have been weakened; one is for violent content pursuit. Kung Fu movies emphasizes morality and divinity and violence is more straightforward and prominent. In the current cross-strait cooperation in shooting movies, the background of culture of Lingnan area and taking the Wushu （violence aesthetics） for the content of the presentation paradigm are not only good for the healthy development for Kung Fu mov- ies, but also shaping the national image and the communication Chinese Traditional Wushu culture.