CAJ | 학술논문

书法依托于汉字,而汉字作为一种＂抽象的形象＂为书法的产生与发展奠定了坚实的基础.以甲骨文、金文、石鼓文等为代表的先秦古文字遗存,体现出中国书法源头阶段的神圣庄严的美学风范,而近现代出土的大量先秦书法墨迹,进一步丰富了后人对于当时书写笔法和文字结构演进的认识.汉字书写史与中国书法史是一体两用关系,而先秦古文字作为中国书法最初的＂混沌＂,就某方面说还是一种规范和高不可及的范本.
서법의탁우한자,이한자작위일충＂추상적형상＂위서법적산생여발전전정료견실적기출.이갑골문、금문、석고문등위대표적선진고문자유존,체현출중국서법원두계단적신골장엄적미학풍범,이근현대출토적대량선진서법묵적,진일보봉부료후인대우당시서사필법화문자결구연진적인식.한자서사사여중국서법사시일체량용관계,이선진고문자작위중국서법최초적＂혼돈＂,취모방면설환시일충규범화고불가급적범본.
Chinese character, as a kind of ＂abstract image＂, is the essence of Chinese calligraphy and provides a solid underpinning for the origins and development of it. The remains of Pre-Qin ancient Chinese characters, such as inscriptions on bones and tortoise shells, bronze inscriptions and stone-drum inscriptions, have embodied the sacred and solemn esthetics style of original Chinese calligraphy. Also, quantities of Pre-Qin calligraphy unearthed in modem times have further enriched our understanding of the writing ways at that time and the evolution of structure of Chinese characters. Therefore, the history of Chinese character writing and the history of Chinese calligraphy are a whole with dual-purpose. As the original ＂chaos＂ of Chinese calligraphy, in some aspects, Pre-Qin ancient Chinese characters are norms and unreachable models.