北京印刷学院学报
北京印刷學院學報
북경인쇄학원학보
Journal of Beijing Institute of Graphic Communication
2015年
1期
52~54
,共null页
水彩 绘画语言 水墨 精神诉求
水綵 繪畫語言 水墨 精神訴求
수채 회화어언 수묵 정신소구
watercolour; painting language; Chinese inkpainting; spiritual demand
水彩的材料特性能够激发艺术家的奇思妙想,创作水彩画的工具可谓朴素,只需用水调和颜料,可浓、可淡,可干、可湿。艺术家在创作时可以集中精力运用水与色的巧妙配合,或泼洒,或点染,或浸润,创造出千姿百态、韵味无穷的画面。水彩画"以水为媒介,以色来造型"的独特绘画语言是艺术家抒发情感的有效途径,从而也反映出艺术家的色彩感觉、气质、修养、性格特征等诸多信息。本文试图结合自己的创作体会,从水彩画绘画语言的审美特征入手,尝试分析水与色的运用,水彩与水墨之间的异同及互为借鉴,从而引申出艺术家借助水彩这种绘画语言进行创作时所蕴含的内在的精神诉求。
水綵的材料特性能夠激髮藝術傢的奇思妙想,創作水綵畫的工具可謂樸素,隻需用水調和顏料,可濃、可淡,可榦、可濕。藝術傢在創作時可以集中精力運用水與色的巧妙配閤,或潑灑,或點染,或浸潤,創造齣韆姿百態、韻味無窮的畫麵。水綵畫"以水為媒介,以色來造型"的獨特繪畫語言是藝術傢抒髮情感的有效途徑,從而也反映齣藝術傢的色綵感覺、氣質、脩養、性格特徵等諸多信息。本文試圖結閤自己的創作體會,從水綵畫繪畫語言的審美特徵入手,嘗試分析水與色的運用,水綵與水墨之間的異同及互為藉鑒,從而引申齣藝術傢藉助水綵這種繪畫語言進行創作時所蘊含的內在的精神訴求。
수채적재료특성능구격발예술가적기사묘상,창작수채화적공구가위박소,지수용수조화안료,가농、가담,가간、가습。예술가재창작시가이집중정력운용수여색적교묘배합,혹발쇄,혹점염,혹침윤,창조출천자백태、운미무궁적화면。수채화"이수위매개,이색래조형"적독특회화어언시예술가서발정감적유효도경,종이야반영출예술가적색채감각、기질、수양、성격특정등제다신식。본문시도결합자기적창작체회,종수채화회화어언적심미특정입수,상시분석수여색적운용,수채여수묵지간적이동급호위차감,종이인신출예술가차조수채저충회화어언진행창작시소온함적내재적정신소구。
The materials properties of watercolor inspires the artist's ideas, the watercolor tool is simple, just mixed with water paint, thick, pale, dry, wet, artists can focus on when writing using water and color coordination, or splashing, touched, or infiltration, creating various images with a boundless lasting appeal. Watercolor painting "with water as medium, with color modelling" unique painting language is an effective way of artists to express emotion, and also reflects the artist's colors from feeling, temperament, accomplishment, personality traits, and so on. This article tries to combine his creation experience, from the aesthetic characteristics of watercolor painting language, and tries to analyze the use of water and color, the similarities and differences between water and ink painting and learn from each other and thus lead to the artist with the aid of watercolor painting language for writing this because of the inner spiritual pursuit.