CAJ | 학술논문

2014年安妮·贝克的剧作《电影》夺得了年度普利策戏剧大奖。从表面上看,该剧从场景描绘、人物塑造到情节设置似乎均无特别之处,甚至显得过于平庸、温和。然而,该剧将场景安排在一个普通、衰败的电影院,通过戏剧讲电影,将戏剧与电影融合的构思本身就体现了作者的匠心独运。剧中元戏剧手法的借用、冲突的巧妙设置体现了该剧的独特艺术价值。更重要的是,作者借戏剧再现这家电影院从胶片电影到数码电影的转换过程,微妙地反映了传统艺术与现代科技的较量,同时也揭示了时代变化带来的诸多社会问题。
2014년안니·패극적극작《전영》탈득료년도보리책희극대장。종표면상간,해극종장경묘회、인물소조도정절설치사호균무특별지처,심지현득과우평용、온화。연이,해극장장경안배재일개보통、쇠패적전영원,통과희극강전영,장희극여전영융합적구사본신취체현료작자적장심독운。극중원희극수법적차용、충돌적교묘설치체현료해극적독특예술개치。경중요적시,작자차희극재현저가전영원종효편전영도수마전영적전환과정,미묘지반영료전통예술여현대과기적교량,동시야게시료시대변화대래적제다사회문제。
Annie Baker＇s The Flick, winner of the 2014 Pulitzer Prize for Drama, seems mediocre or ＂gentle＂ because of its ordinary setting, flat characters and uneventful plot. Set in a run-down movie theatre, the play nevertheless tells a subtle story about cinema through theatre by integrating the two art forms. Its metatheatrical techniques that skillfully weave cinematic concerns with theatrical performance serve to intensify the dramatic conflict within the play and indeed underscore its artistic value. What＇s more, by dramatizing the transformation in film projection from 35 mm to digital, the playwright visualizes the contest between traditional art and modern technology, and explores social problems in this rapidly changing era.